Reviews
Milestone review - parable of an aging truckerMonday, 10 May 2021
Watching Milestone, a new Netflix original directed by Ivan Ayr, I was reminded of the films of the great Iranian director Abbas Kiarostami. This story about an aging truck driver facing redundancy whilst grieving for his wife attempts the still... Read more... |
The Pursuit of Love, BBC One review - extravagantly entertainingMonday, 10 May 2021
Nancy Mitford's 1945 literary sensation looks poised to be the TV talking point of the season, assuming the first episode of The Pursuit of Love sustains its utterly infectious energy through two hours still to come. Adapted and directed by the... Read more... |
Europe Day Concert, St John's Smith Square online review – celebrating in styleMonday, 10 May 2021
We may not be in the EU any more, but geographically and culturally we can celebrate being part of Europe as much as we jolly well like. For Europe Day, the European Parliament Liaison Office, the Camōes Institute, the Embassy of Portugal and the... Read more... |
Sunjeev Sahota: China Room review - separate, related livesMonday, 10 May 2021
China Room, Sunjeev Sahota’s third novel, is a familiar, ancestral tale: the story of Mehar, living in late 1929 in rural Punjab, is narrated alongside that of her unnamed descendant in 1999, who has grown up in England. Despite the hardships... Read more... |
Reissue CDs Weekly: Al Stewart - Year Of The CatSunday, 09 May 2021
At the end of 1976 Al Stewart talked to Melody Maker, contrasting how he was seen in America and the UK. He was in Los Angeles. “I haven’t played in England for nearly two years,” he told Harvey Kubernik. “The best way of looking at it was that I... Read more... |
Coote, Philharmonia, Gardiner, Southbank Centre online review - English masterworksSaturday, 08 May 2021
This Philharmonia concert from the Royal Festival Hall comprised three masterworks of English music, following a (welcome) trend that has emerged in COVID-era streamed concerts in digging out a couple of smaller-scale, less often programmed pieces... Read more... |
Points of Departure, Brighton Festival 2021 review - Ray Lee's harbour-based sound art impressesFriday, 07 May 2021
They stand in a row, nine of them, in a long, strange corridor between rows of stacked, palleted, planked wood and the red brick wall of an endless warehouse. Nine tripods, each two humans high, with a spinning helicopter head, double-ended by... Read more... |
Rachel Whiteread: Internal Objects, Gagosian Gallery review - apocalyptic shedsThursday, 06 May 2021
Sheds have flourished in lockdown: they’ve always been places to escape to and in the past year, when spruced up as home offices, even more so. They’re also emblems of isolation. Poltergeist (main picture) and Doppelganger, the works that... Read more... |
BBC Young Musician 2020 Finale, BBC Four review - poise versus extraterrestrial ecstasyTuesday, 04 May 2021
“You have to be careful you’re not judging the piece,” cautioned a pearl-necklaced Nicholas Daniel, great oboist and winner of the 1980 BBC Young Musician (of the Year, as it then was). Yet while the work, Japanese composer and marimba virtuoso... Read more... |
Being Mr Wickham, Original Theatre Company online review - an uncontroversial apologiaTuesday, 04 May 2021
It wasn’t Jane Austen’s subtlest move, naming her roguish soldier George Wickham. As countless GCSE English teachers have patiently read in generations of essays, his surname sounds a lot like "wicked" – and wicked he is. Adrian Lukis, who played... Read more... |
Line of Duty, Series 6 Finale, BBC One review - crafty ending leaves wriggle room for a sequelMonday, 03 May 2021
WARNING - CONTAINS SPOILERSHalf the fun of this series of Line of Duty has been the crescendo of conspiracy theories surrounding it, fuelled by the way creator Jed Mercurio has skilfully kept tapping into the LoD mythology built up over the... Read more... |
Money, Southwark Playhouse online review - ethical dilemmas for the Zoom generationMonday, 03 May 2021
To accept or not accept a donation: that’s certainly the burning political question of the moment. So Isla van Tricht’s play Money – specially designed for Zoom – has proven more timely than even perhaps she suspected, though the question is made... Read more... |
