Reviews
Tom Baily
Kiwi and Aussie screen legends Sam Neill and Michael Caton have teamed up in this heartfelt and humorous remake of Grímur Hákonarson’s 2015 Icelandic original. The template of Hákonarson’s story has been transplanted but all the details and fillings have changed. Director Jeremy Sims pitches us in Australian sheep country, a sunny and laconic world where life flows at a pretty breezy pace. Until disaster sweeps in.Brothers Colin (Neill) and Les (Caton) live on adjacent farms but haven’t spoken for years. Colin is kind and earnest, while Les could have dropped off the set of the 1970s psycho- Read more ...
Markie Robson-Scott
Bliss gets off to a powerful start. Stressed-out Greg Wittle (an endearing Owen Wilson) is in his office, trying to do several things at once: draw his dream seaside home in great detail; talk to his daughter; renew his painkiller prescription by entering long lists of numbers in response to maddening robotic prompts, and get himself out the door to see his boss, whose assistant keeps demanding his presence with increasing urgency. Something is slightly off with Greg’s affect. “I have so many thoughts I wish you could see,” he tells his daughter on the phone. “Dad, are you sure you’re OK?” Read more ...
Adam Sweeting
Based on a book by Roberto Saviano, author of the Neapolitan gang saga Gomorrah, ZeroZeroZero (Sky Atlantic) is an account of the international drugs trade and the way its tentacles wrap themselves around the entrails of societies at all levels. It’s a lavishly-mounted and beautifully photographed production with the feel of a big-budget movie like Sicario or Traffic, knitting together storylines in Mexico, New Orleans and Calabria in south-west Italy.It’s also a story riddled with sadistic violence and torture and may not be everyone’s idea of escapist lockdown viewing, but it exerts a Read more ...
Saskia Baron
Do you want to spend 105 minutes trapped in a house with two people arguing, or do you already feel that your life under lockdown is quite quarrelsome and claustrophobic enough? If your answer is the former, then Malcolm & Marie is the perfect movie for you. Everyone else might be happier escaping elsewhere (I’d recommend Call My Agent if you want to enjoy actors talking about their trade. At least you get some exterior Paris scenes and lashings of wit). But let’s get back to the matter in hand. Forced to put their TV series Euphoria on hold because of Read more ...
aleks.sierz
Film is the new theatre – this we know, but does the distance imposed by the change of medium increase or decrease the impact of the story? The latest example of this problematic switch from stage to screen is the strongly acted Shook, Samuel Bailey’s debut play, which won the 2019 Papatango New Writing Prize and had a run at the Southwark Playhouse in November of that year. Although its planned transfer to the Trafalgar Studios in the West End was curtailed when the pandemic hit, the drama has been superbly filmed and is available to watch online on the Papatango website.Set in a Read more ...
Daniel Lewis
Straight off the bat, Tabitha Lasley’s soon-to-be ex-boss points out the fatal flaw in her life-changing project. Jettisoning her job at a women’s magazine, a long-term boyfriend, a cramped London flat (after it’s broken into) and friends in her mid-30s, Lasley heads to an austere Aberdeen to find out with her own eyes and ears what oil-riggers get up to when they’re “on” and “off”, that is, offshore and on-land. What she discovers about the latter is perhaps unsurprising: they drink (gallons) and/or find a mistress; something Lasley learns firsthand. She falls for Caden from Stockton ( Read more ...
Adam Sweeting
The theme of a parent haunted by the loss of a child can have powerful dramatic potential, and this is the premise behind The Drowning, Channel 5’s new four-night mystery. Nine years earlier, Jodie and Frank’s four-year-old son Tom vanished during a family outing to a local lake. His body was never found, and he was presumed dead.But the supposed death itself only heightens the lurking suspicion that this show has a few screws loose. Tom’s disappearance occurred on a sunny day at a relaxing popular beauty spot, rather than in rough seas during a sudden storm, so surely somebody would have Read more ...
Veronica Lee
There's something in the water, as no fewer than three comics are launching podcasts related to the one thing we can't do at the moment – travel. They're having a laugh, aren't they? Other offerings include escapist fun with superheroes, music collections and a spoof true-crime series.Available on all podcast platforms unless stated Alan Carr's Life's a BeachThe comic invites a celebrity guest each week to talk about their travel adventures, either for work or pleasure. If you enjoyed Carr's television chat show, you love this, and it has added domestic drama as the podcasts are recorded Read more ...
David Nice
It’s second time lucky for OperaGlass Works, whose previous production at Wilton’s Music Hall, of Stravinsky’s The Rake's Progress, hit the mark for me in the singing but not the staging. I suspect that had we been there in the auditorium with performers all too palpable, the same might have been true of The Turn of the Screw in this venue. But Britten’s tricky adaptation with Myfanwy Piper of the ambiguous, first-person-narrated Henry James ghost story, a musical masterpiece, works best here when the camerawork allows distance on the ghosts of the former valet and governess who haunt Read more ...
Boyd Tonkin
On 25 November 1944, a German V2 rocket struck the Woolworths store in New Cross at Saturday lunchtime. It killed 168 people. Francis Spufford’s second novel begins with this “hairline crack” in existence; a mere nanosecond of high-explosive combustion, “measurably tiny, immeasurably vast”. In a matter-dissolving flash, it closes the book of time for five of the small children in the shop. What, Light Perpetual asks, if that particular V2 had not fallen there and then; if “some other version of the reel of time” had played, and that handful of kids had lived into “All the would-be’s, Read more ...
Heather Neill
Swaggering rakes, posturing fops, sexual intrigue, illicit encounters, wit, artifice, wigs, fans and beauty spots - these are familiar ingredients of Restoration comedy. It is a louche world where the word "mask" is associated with naughty goings on under cover of darkness rather than health worries, and where social distancing and restraint have no place. On the face of it, Hermione Gulliford's choice of William Wycherley's first play, Love in a Wood or St James's Park, for a rehearsed Zoom reading "with a few mates" is surprising.The project began as a diversion, like many another during Read more ...
Kieron Tyler
Arrival Of The New Elders is unlike anything Norwegian trio Elephant9 have done before. Previously, their jazz-prog mélange was as full-on as it could be. Attacking, hard and heavy. Now, a previously unfamiliar pensiveness has been revealed.While Elephant9’s sixth studio album still sounds like keyboard player Ståle Storløkken, bassist Nikolai Eilertse and drummer Torstein Lofthus, there’s a more measured, clearly less improvised approach. Tempi are slower and the interplay between the players is easier to discern. There’s a new space too. Storløkken plays more electric piano than before, Read more ...