Reviews
David Nice
Gone, it seems, is the era of epic three-part Proms. Sunday afternoon's programme, partly billed as a children's hour, might have pleased pianist and pundit Stephen Hough, whose recent broadsheet plea for shorter concerts somewhat overdid the need (lunchtime events already cater to concertgoers in a hurry very well, and the Proms has its late-nighters too). But it left many of us wanting more, not just of Ravel in the second half but also of the distinctive Simón Bolívar earthiness, which was given free rein only in one spirited encore. Subtlety, for the most part, was the real name of Read more ...
alexandra.coghlan
Between the Berlin Philharmonic, Leipzig Gewandhaus Orchestra and Simón Bolivar Symphony Orchestra it has been a big week at the Proms, in every sense. Scope and scale have been the watchwords for the orchestral tectonics that have taken place, the sonic landscapes that have been formed and reformed. But concert-goers on Sunday night were hit with an operatic aftershock of overwhelming force, bringing this penultimate Proms week to a close next weekend’s patriotic spectacular will struggle to match.Rarely staged in the UK, Rossini’s Semiramide, like Verdi’s Il Trovatore, is an opera you only Read more ...
Sarah Kent
“Outside the day may be blue and gold, but the light that creeps down through the thickly-muffled glass of the small iron-barred window beneath which one sits is grey and niggard. It is always twilight in one’s cell, as it is always midnight in one’s heart.” Oscar Wilde’s description of his incarceration in cell C.3.3 at Reading Gaol hits home when you stand inside the mean little room (now number C.2.2) imagining what it was like to spend 23 hours a day locked in this claustrophobic box. Wilde was at the height of his fame when, in 1895, he was convicted of “acts of gross indecency” Read more ...
alexandra.coghlan
The BBC Proms is perhaps the only music festival in the world that would (or could) have programmed performances of Steve Reich in a Peckham car-park and Brahms by the Berlin Philharmonic within a few hours of each other. The audacity of it is glorious, the breadth exhilarating, and the fact that both sold out intensely heartening.But, as ever with Sir Simon Rattle, it wasn’t quite as straightforward as that. The main substance of the Berlin Philharmonic’s second concert might have been Brahms and Dvořák, but the opener – a work the orchestra have already performed multiple times in Europe Read more ...
Katie Colombus
It has been 350 years since the Great Fire of London. A festival of art and ideas by Artichoke, the company behind Lumiere London, has brought a series of free, inventive installations and performances to the capital. These curated events and live art happenings don't so much teach us about the events of the past, but enable us to take stock of what's happening right now in the world, and challenge us to change for the future.Of All The People In The World, a performance installation by Stan's Cafe at Inner Temple, promises to illustrate the cost of the Great Fire in grains of rice (pictured Read more ...
Kieron Tyler
The Beach Boys signed with Capitol Records on 24 May 1962. Early the next month, their first single for the label became “409”/”Surfin’ Safari”. It was not their debut release. The “Surfin'”/ “Luau” single had been issued in November 1961 by Candix.Before Capitol, Hite and Dorinda Morgan had brought them into a recording studio. The former was a music publisher known by Murry Wilson, the father of Beach Boys’ Brian, Carl and Dennis. When the Morgans first encountered the band, they were known as The Pendeltones. Without being asked, they were renamed The Beach Boys for the release of "Surfin Read more ...
David Nice
What do Boulez's Éclat, for 15 instruments, and Mahler's Seventh Symphony, for over 100, have in common? Most obviously, guitar and mandolin, symbols of a wider interest in unusual sonorities. But while Boulez aims, as often, for needle point precision, Mahler uses selective groups, at least up to his finale when he exuberantly exchanges night for day, to create peculiar and unsettling grades of chiaroscuro. No one has ever gone, or is ever likely to go, deeper in the creation of subtle perspectives than Sir Simon Rattle and the Berlin Philharmonic.There's plenty of éclat, in the usual sense Read more ...
aleks.sierz
Alice Birch is one of the most exciting playwrights to have arrived in the past five years. This restaging of the brilliantly titled Revolt. She Said. Revolt Again. – which was first put on as part of the Royal Shakespeare Company’s Midsummer Mischief festival in June 2014 – demonstrates not only the power of her theatrical imagination, but also her enormous technical skill and sense of emotional truth. In the original playtext, she stresses that “this play should not be well behaved”, which sounds like an incitement to messiness. Luckily, Erica Whyman’s production is tight, taut and Read more ...
graham.rickson
Erkki Melartin: Traumgesicht, Marjatta, The Blue Pearl Finnish Radio Symphony Orchestra/Hannu Lintu, with Soile Isokoski (soprano) (Ondine)Contrary to what you might read, there wasn’t just one composer active in early 20th century Finland. A recent study concluded that Sibelius accounts for 40% of all Finnish music performed worldwide. Sibelius is great, but there are other figures worth investigating. One is Erkki Melartin (1875-1937), active as a conductor and as an influential composition teacher at the Helsinki Conservatoire. On the basis of this appealing anthology, his music is more Read more ...
Matt Wolf
Whatever one thinks of Café Society - and responses to Woody Allen's latest as ever are likely to be divided - few will dispute the visual lustre that the legendary cameraman Vittorio Storaro has brought to this tale of love upended and deferred, set in 1930s Hollywood to a period-perfect soundtrack pulsing with the music of Rodgers and Hart.Every frame has a ready-made, natural shimmer that communicates Allen's love affair with the cinema, however one responds to a narrative about displaced nebbish Bobby Dorfman (Allen soundalike Jesse Eisenberg), who falls hard for LA glamour girl Read more ...
Tom Birchenough
One of the many astonishing things in Mia Hansen-Løve’s fifth film is watching Isabelle Huppert hold back tears. In one scene they smear almost involuntarily down her face, in another she transforms them into a bark of nervous laughter. Huppert plays Nathalie Chazeaux, a sixty-something Paris philosophy teacher, who paces the film with almost frantic speed while her life unravels around her.Finally, when the immediate causes of her grief have passed, she surrenders to sobbing. It’s a beautifully delayed scene that catches the build-up of emotions (pictured below), her only company in her Read more ...
alexandra.coghlan
The BBC Proms is the largest classical music festival in the world – an event whose ambition, accessibility and breadth wouldn’t be possible without the Royal Albert Hall and its capacity of well over 5,000 people. But the building that makes this festival possible, that provides the space for the hundreds of Prommers who fill the arena each evening, is also its biggest curse. Its unwieldy, awkward acoustic is a problem that must be faced and resolved every night, and when it comes to Early Music, it’s a resolution that’s partial at best. This B Minor Mass from Les Arts Florissants was no Read more ...