New music
Madonna, London Palladium review - a fiesta of the surreal and the fiercely fabulousFriday, 31 January 2020
The first time I heard Madonna, I was 8 years old at a school disco. Horrified parents, who came to pick us up as we jumped up and down yelling along to “Like A Virgin” in a fluorescent flurry of topknots, puffer skirts and lace gloves, subsequently... Read more... |
Fatoumata Diawara, Roundhouse review - Malian magic on showFriday, 31 January 2020
Fatoumata Diawara knows how to please: with a winning and innocent smile, she wins the audience over in a matter of seconds. She has a vocal style all of her own: in her first song, “Don Do”, a quiet and meditative prelude to the boisterous show... Read more... |
Album: Meghan Trainor - Treat MyselfFriday, 31 January 2020
Here it is, at last: Meghan Trainor's long-anticipated third album, scheduled for last summer, but mysteriously delayed because Trainor wanted to "add more songs". Not everyone was convinced by that story – there were rumours she was really planning... Read more... |
John Grant, Roundhouse review - simplicity, with a bit of space operaThursday, 30 January 2020
John Grant’s entry onto the stage was unobtrusive, appropriate for a set-up that consisted of just a grand piano and an electronic keyboard (with accompanying keyboardist). He began with similarly unadorned songs, the ballads that peppered the start... Read more... |
Album: Kesha - High RoadWednesday, 29 January 2020
Doubters presume Kesha’s multi-million-selling success derives mainly from a decade ago, the time of her monster hit, “Tik Tok”? Since then, the thinking goes, after the gruelling, much-publicised sexual abuse court cases with Dr Luke, she’s more a... Read more... |
Album: Sam Lee, Old Wow - a hymn to Mother NatureMonday, 27 January 2020
Folk music has always thrived in times of adversity and danger and in times when (to coin a phrase) “nothing is real”. All the above apply now and folk music, its roots in the dirt of our septic isle, speaks to us eloquently as balm, warning, and... Read more... |
Slipknot, Arena Birmingham review – Iowa metal-heads tear the roof offSunday, 26 January 2020
Given Slipknot’s studied image as arch misanthropes, with their horror show costumes, aggressive posturing and frightening masks designed to put the wind up Middle America and everyone else for that matter, their imposing singer Corey Taylor spent... Read more... |
Reissue CDs Weekly: Game Theory - Across The Barrier Of SoundSunday, 26 January 2020
Since this column last caught up with the totemic California art-popsters Game Theory, band mainstay Gil Ray passed away. He died in January 2017. He had joined Game Theory as their drummer and backing vocalist in 1985. The new collection Across The... Read more... |
Bombay Bicycle Club, Cardiff University Students Union review - guitar pop, perfectedSunday, 26 January 2020
When a band claims a crowd is the loudest of the tour, you can usually guarantee they've said it on every other date too. But for one sweaty night in Cardiff, you had to believe them. Bombay Bicycle Club returned after a six-year absence and were... Read more... |
Gerde's Folk City at 60, The Iridium, New York City - a celebration of the legendary folk clubSunday, 26 January 2020
Fifty-nine years to the day, 24 January 1961, that a young college dropout named Robert Zimmerman clambered out of a car on the Manhattan end of the George Washington Bridge, having hitchhiked across the country to reinvent himself as Bob Dylan, the... Read more... |
Robert Henke CBM 8032, Barbican - a vision of possibilities from 40 years agoSaturday, 25 January 2020
Robert Henke is to techno fans as Leo Fender and Les Paul are to rock lovers. The Ableton Live software which he co-created is every bit as influential as any guitar they built, and probably more used. However, of course, being just a piece of code... Read more... |
Album: Squirrel Flower - I Was Born SwimmingSaturday, 25 January 2020
The first album from the Boston-bred songwriter Squirrel Flower opens and closes with autobiographical songs. “I-80” opens with the artist - real name Ella O’Connor Williams - giving up on lyrics, poetry and, later, giving up on love, its rootless... Read more... |
