thu 05/06/2025

New music

CD: Trevor Horn – Trevor Horn Reimagines the Eighties (feat. The Sarm Orchestra)

Over the last decade or so, there have been a couple of noticeable trends in broad-based, popular music that have segued from mild irritation to disfiguring infection. The first is the fey cover version, the awful balladification of perfectly good...

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CD: Backstreet Boys - DNA

You’ve got to hand it to Backstreet Boys. Who would have thought that 23 years after their first, self-titled album, the finger-clicking fivesome would be the best-selling boy band in the world? They’ve survived the departure of one of their members...

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CD: Kikok - Sauna

Russian trio Gnoomes have created small waves over the last couple of years with their woozy psychedelia. One of its defining factors is the way the band have utilised Soviet-era synthesizers. During the Cold War it wasn’t only weaponry and the...

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Reissue CDs Weekly: Charles Mingus

Releases dedicated to previously unisssued live recordings can be tricky. The variables at play don’t necessarily ensure that what’s in the shops is worth investigating. The audio sources may be of sub-standard quality or capture an off night. Some...

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CD: The Twilight Sad - It Won/t Be Like This All the Time

The disappearance of a band for a while calls for a re-set. A reminder, perhaps, of why you fell for them in the first place. "[10 Good Reasons for Modern Drugs]", the four minutes of minor-key chaos that opens the new album from The Twilight Sad,...

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Bang on a Can All-Stars, Kings Place review - a kaleidoscope of vibrant sound and vision

Julia Wolfe, Caroline Shaw, Anna Þorvaldsdóttir: three names on quite a list I reeled off earlier this week when someone asked me why the compositions of Rebecca Saunders, in the news for winning the €250,000 Ernst von Siemens Music Prize, make me...

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theartsdesk Q&A: Hedvig Mollestad, Norway's bridge between heavy metal and jazz

Norway’s Hedvig Mollestad Trio reset the dial to what jazz fusion sought to do when it emerged, and do so in such a way that it’s initially unclear whether they are a jazz-influenced heavy metal outfit or jazzers plunging feet-first into metal....

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CD: The Dandy Warhols - Why You So Crazy

Why You So Crazy is a woozy, disorientating and spaced-out affair with a similar understated production to the Dandy Warhols last album, 2016’s Distortland. Long gone is the brash, anthemic guitar glam-pop of the turn of the century. In those days,...

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CD: Morrissey and Marshall - And So It Began Again... Acoustically

Well this is a treat. Darren Morrissey and Greg Marshall, London-based Dubliners who began their musical life in the fair city as front men of Deshonos, repeat the trick they worked with We Rise (2017), returning to their 2014 debut album And So It...

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CD: William Tyler - Goes West

Its Dali-esque sleeve image captures Goes West perfectly. Over its 10 instrumental tracks, the music drifts inwards from outside as if introducing the endless open space of an intensely lit desert. There’s a sadness-tinged reflectiveness too; one...

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CD: Abdesselam Damoussi and Nour Eddine - Jedba

It’s not often that music of this kind gets a release outside of Morocco, and Arc Music and the producer/musicians must be applauded for curating such an intense, inside view on the ecstatic release of Sufi music across the kingdom, often drawn from...

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CD: Katie Doherty & The Navigators - And Then

It’s more than 10 years since Katie Doherty, a new-minted music grad championed by the Sage-based Folkworks collective, was named Newcomer of the Year and released Bridges, her debut album. And Then is only her second – which is not to suggest she’s...

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