biography
Nathalie Léger: Exposition review – mysteries, rumours and factsSunday, 12 January 2020![]() Nathalie Léger’s superbly original Exposition is a biographical novel meditating on the nature of biography itself. Its plot – if indeed its 150 pages of intense reflection bordering continuously on stream of consciousness can be called a plot – is... Read more... |
Hugh Grant: A Life on Screen, BBC Two review - hiding in plain sight?Tuesday, 24 December 2019![]() This charming BBC Two hagiography – which may be a contradiction in terms – opened on a montage of praise, with just a hint of irony for the hugely successful actor Hugh Grant. He was born in Hammersmith Hospital, although neither he nor his father... Read more... |
Robert Service: Kremlin Winter review – behind Putin's masksSunday, 24 November 2019![]() When U.S. president George W. Bush looked into the eyes of Vladimir Putin he famously “saw his soul”. In his latest meditation on modern Russia, Britain's top Kremlinologist Robert Service gets as close to the Russian president’s soul as may be... Read more... |
First Person: Simon Stephens - the contemplation of kindnessTuesday, 29 October 2019![]() Light Falls is the sixth play that I have written for the Royal Exchange theatre in Manchester and the fourth that its outgoing Artistic Director, Sarah Frankcom, will direct.She directed On the Shore of the Wide World, Punk Rock and Blindsided. In... Read more... |
Chantal Ackerman: My Mother Laughs review - too umbilically linked?Sunday, 27 October 2019![]() My Mother Laughs was first published in Chantal Ackerman’s native French in 2013. This year it has been translated into English for the first time, twice. Silver Press’ elegant version is framed by a foreword by the poet, Eileen Myles (who also has... Read more... |
Hisham Matar: A Month in Siena review – memories, framedSunday, 20 October 2019![]() A Month in Siena is a sweet, short mediation on art, grief, and life. Ostensibly describing the time and space of its title, Matar touches on vanishings and lacunae in his past. Early on, he links the disappearance of his father in Cairo in 1990 to... Read more... |
Van Gogh’s Inner Circle, Noordbrabants Museum review - the man behind the artThursday, 26 September 2019![]() Vincent van Gogh (b. 1853) could be difficult, truculent and unconventional. He battled with mental illness and wrestled with questions of religion throughout his life. But on good form he was personable. He was said to be an excellent imitator with... Read more... |
What Girls Are Made Of, Soho Theatre review - euphoric gig-theatreFriday, 13 September 2019![]() It’s now Edinburgh Fringe transfer season in London, but here’s one they made earlier: Cora Bissett’s Fringe First-winning autobiographical play from the 2018 Festival about her time in 1990s indie band Darlingheart. Though the broad shape of this... Read more... |
Preludes, Southwark Playhouse review - journeying into the mind of RachmaninoffThursday, 12 September 2019![]() Where does music come from? That’s the vital question posed to Sergei Rachmaninoff in Dave Malloy’s extraordinary 2015 chamber work, as the great late-Romantic Russian composer – stuck in his third year of harrowing writer’s block – tries to... Read more... |
A. N. Wilson: Prince Albert review - entertaining bio is a total treatSunday, 01 September 2019![]() Albertopolis! The Royal Albert Hall, the Albert Memorial and countless Albert Squares, Roads and Streets all commemorate Britain’s uncrowned king. In this mesmerising biography, novelist and historian A. N. Wilson’s admiration and affection for... Read more... |
Evita, Regent's Park Open Air Theatre review - a diva dictator for 2019Friday, 09 August 2019![]() Following a triumphant resurrection of Jesus Christ Superstar, now playing at the Barbican, the Park works its magic on another of Andrew Lloyd Webber and Tim Rice’s Seventies rock operas. Jamie Lloyd’s stripped-down, super-sleek, contemporary take... Read more... |
Varda by Agnès review - a richly moving film farewellFriday, 19 July 2019![]() French director Agnès Varda looks back over a cinematic career of seven decades in this a richly moving film farewell, finished not long before her death at the end of March, aged 90. It’s structured around a series of masterclasses in which she... Read more... |
