1990s
Closer, Lyric Hammersmith review - still sordid and sexy 25 years onFriday, 22 July 2022
Drama is writing in thin air, its content instantly spirited away into unreliable memory, so if a play is to be revived a quarter century on from its first run, it has to say something substantial about the human condition. Patrick Marber's Closer... Read more... |
Album: Neneh Cherry - The VersionsSaturday, 04 June 2022
Initially, the weird thing about this is it’s being released as a Neneh Cherry album rather than a compilation of artists doing Neneh Cherry covers, which is what it is. That said, awareness slowly grows of a kindred sensibility to recent Neneh... Read more... |
Album: Liam Gallagher - C'Mon You KnowWednesday, 25 May 2022
While Britpop was a retrogressive media construct, Oasis were a genuine socio-musical phenomenon (albeit also retrogressive!). And at their heart was, of course, Liam Gallagher, bullishly Manc, sneeringly rude and pugnaciously charismatic, a proper... Read more... |
I Get Knocked Down, Brighton Festival review - Chumbawamba singer's film is lively, funny and thought-provokingThursday, 19 May 2022
One effect of the film I Get Knocked Down, a playfully constructed journey around the life of Chumbawamba vocalist Dunstan Bruce, is to remind that socio-political rage was once woven into the fabric of popular music. Old footage from the band’s... Read more... |
Album: Dubstar - TwoFriday, 13 May 2022
Dubstar didn’t really fit the niche where the 1990s put them. Signed to Food Records, original home of Blur, they were lumped in with Britpop but their music was always closer to the thoughtful electronic pop of Saint Etienne, and they also had –... Read more... |
Album: The Waterboys - All Souls HillMonday, 09 May 2022
This album starts with an unfortunate sound. Its title track begins with the kind of drum loop that rock bands from U2 on down adopted in the early 1990s having heard Massive Attack and Happy Mondays and deciding that they were going to get on the... Read more... |
Shaparak Khorsandi, touring review - sex, drugs and rock'n'rollWednesday, 27 April 2022
Shaparak Khorsandi has reverted to her given name since she last toured (she used to be known as Shappi) but other than that not much has changed in her brand of feelgood comedy, and her new show, It Was the 90s!, is an amusing look back at her... Read more... |
theartsdesk on Vinyl 70: Marianne Faithful, Honey Bane, Tinariwen, Kraftwerk, PJ Harvey, Dowdelin and moreTuesday, 26 April 2022
Spring is in the air and vinyl is, as always, on the turntable here at theartsdesk on Vinyl. We’ve been ploughing through all the latest releases and reissues, played loud on a large sound system, each evaluated as fully as possible. Below you’ll... Read more... |
Album: Reef - Shoot Me Your AceFriday, 15 April 2022
I have a theory about Reef. In the mid-Nineties, when the Somerset outfit appeared, they were reviled by London music journalists. This was mostly because they sounded like a hoary, unreconstructed early-Seventies blues-rock band. Those same... Read more... |
Album: Confidence Man - TiltSaturday, 02 April 2022
Despite a five-year career and no breakout hits, Australian outfit Confidence Man has grabbed the attention of some heavyweights.Signed to Heavenly Records, a label which knows their Roscoff onions from the common-or-garden variety, their 2017... Read more... |
Album: Placebo - Never Let Me GoTuesday, 22 March 2022
Alternative rock icons Placebo make an anticipated return in 2022 with their eighth album Never Let Me Go. Their last release was 2016’s greatest hits collection A Place For Us To Dream, and the wait has been long for the next, proper instalment... Read more... |
Music Reissues Weekly: Bernard Butler - People Move OnSunday, 27 February 2022
This new edition of People Move On, Bernard Butler’s April 1998 debut solo album, takes what was issued then to up to four CDs. Nothing unusual in that. Box set-isations of a single album customarily add alternate versions, outtakes, non-album... Read more... |
