thu 05/12/2024

2010

Autumn, Park Theatre review - on stage as in politics, Brexit drama promises much, but loses its way

Theatre is a strange dish. A recipe can be stacked with delicious ingredients, cooked to exacting standards, taste-test beautifully at the halfway mark, yet leave you not quite full, not exactly satisfied, disappointed that it didn’t come out quite...

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Michael Craig-Martin, Royal Academy review - from clever conceptual art to digital decor

Michael Craig-Martin was the most playful and provocative of the conceptual artists. His early sculptures are like visual puns, a play on the laws of nature. On the Table, 1970 (pictured below right), for instance, appears to defy gravity. Four...

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Elf, Dominion Theatre review - hit musical revival slays it again

Just about the three toughest tricks to pull off in the theatre are making a musical, making a family show and making characters so charming that even the most cynical in the house are pulling for the little guy (or not so little in this case). So...

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Album: Kesha - High Road

Doubters presume Kesha’s multi-million-selling success derives mainly from a decade ago, the time of her monster hit, “Tik Tok”? Since then, the thinking goes, after the gruelling, much-publicised sexual abuse court cases with Dr Luke, she’s more a...

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CD: The Drums - Brutalism

The Drums appeared a decade ago out of New York, riding a media froth about indie music to critical acclaim and, at least for their debut album, some degree of commercial success. They were a four-piece who owed a large debt to New Order but had...

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The Music of Harry Potter, CBSO, Seal, Symphony Hall, Birmingham review - orchestral wizardry

Imagine an orchestral concert made up exclusively of contemporary works by living composers: a programme in which every note was written within the last two decades. Imagine not only that this concert is sufficiently popular to fill a 2,000-seat...

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Year Out/Year In: Electronic Music Digs In and Spreads Out

2010 saw some major shifts stirring up the UK club music ecosystem and unleashing some fascinating hybrids and variants of existing sounds out into the wild. As the hefty bass of dubstep muscled its way firmly into the heart of the mainstream,...

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Year Out/Year In: Art's Giants in Close-Up

Last year gave us three giants of Post-Impressionism. The Royal Academy promised to unveil the real Van Gogh by showing us the man of letters; Tate Modern delivered a sumptuous survey of Gauguin; and a significantly smaller but nonetheless...

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Year Out/Year In: Theatre Raises the Bar, From Old to New

One expects Shakespeare to be rediscovered afresh on the British stage (if not here, where?), and it was gratifying during 2010 to find the Royal Court - a venue all about the new - raising the authorial bar ever higher via an (almost) unbroken...

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Year Out/Year In: Classical Music and Opera

Earlier this month, George Osborne, Vince Cable and Jeremy Hunt were spotted in a Royal Opera House box surveying the country's most expensive artistic patrimony. What they thought - and how they and the Arts Council might wield their axe - will...

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Year Out/Year In: Dance is Still With Us (So Far)

I was taken to task by a commenter this year who told me I should go and review music, if I couldn't enjoy dance. Hm. One takes such things to heart, but it's humbug. While piling up memories over 25 years might mean that the noise in my memory is...

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Year Out/Year In: Television on Demand

“Television is pretty awful at the moment,” said Eileen Atkins the other week. “Is that because I'm getting old?” Age wouldn’t dare to wither Dame Eileen, of course, who has just bounced back in fine sparky fettle in the BBC's remake of...

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