Martin Scorsese
Made in England: The Films of Powell and Pressburger review - the Archers up closeFriday, 10 May 2024
This long, fascinating documentary was apparently intended as the centrepiece of last autumn’s BFI celebration of the films of Michael Powell and Emeric Pressburger. But Made in England was delayed while Martin Scorsese (executive producer,... Read more... |
Best of 2023: FilmTuesday, 26 December 2023
Numbers indicate if entries are listed in order of preferenceSaskia BaronAnatomy of a FallBrokerFallen LeavesJoylandKillers of the Flower MoonOtto Baxter: Not a F**ing Horror StoryReturn to SeoulSt OmerScrapperA Thousand and OneThe reason I go to... Read more... |
Blu-ray: After HoursTuesday, 31 October 2023
Not all Scorsese films are behemoths; Killers of the Flower Moon may last over three hours but After Hours, a low-budget black comedy released in 1983, packs an incredible amount into just 93 minutes.That Scorsese directed the film at all is a happy... Read more... |
Martin Scorsese's 'Mean Streets' - a triumph of personal filmmakingMonday, 23 October 2023
Ask someone to pick their favourite moment from a film by Martin Scorsese, something defining.Many would cite De Niro’s memorable "you talkin’ to me?" challenge to his own leering, gun-toting reflection in Taxi Driver (1976); others, the... Read more... |
Killers of the Flower Moon review - the Osage tragedyFriday, 20 October 2023
At the centre of Martin Scorsese’s Killers of the Flower Moon, closely adapted from the 2017 non-fiction book by the investigative journalist David Grann, is the true story of how the white former doughboy Ernest Burkhart (Leonardo DiCaprii) was... Read more... |
London Film Festival 2023 - Scorsese on ScorseseSunday, 15 October 2023
Martin Scorsese walks onstage to a hero’s welcome, shoulders a little hunched, with a touch of sideways shuffle or hustle, taking acclaim in his stride at 80. He has sold out London’s 2,700-capacity Royal Festival Hall for the BFI’s biggest Screen... Read more... |
Blu-ray: Scorsese ShortsMonday, 20 July 2020
At this year’s Oscars Bong Joon Ho brought the audience to its feet in honour of the director whose words had struck a chord with him as a film student. The comment, simple but difficult to adhere to in the cut-throat, risk-averse movie business,... Read more... |
The Irishman review - mobster masterclassThursday, 07 November 2019
Much has been made of Martin Scorsese’s recent dismissal of Marvel films. Putting that debate aside, there’s no escaping the fact that in an era of rapid-fire sequels, with the same ensembles trotted out year after year, there’s far more ... Read more... |
LFF 2019: The Irishman review - masterful, unsentimental gangster epicTuesday, 15 October 2019
Time passes slowly and remorselessly in The Irishman. Though its much remarked de-ageing technology lets us glimpse Frank Sheeran (Robert De Niro) executing German POWs aged 24, none of the gangsters here ever seem young. Everyone is heavy with... Read more... |
Bob Dylan Special - theartsdesk Q&A: Scarlet RiveraTuesday, 11 June 2019
As Martin Scorsese’s new feature film, Rolling Thunder Revue: A Bob Dylan Story, hits Netflix and cinemas, and a new 14 CD boxed set enters the official Bootleg Series, theartsdesk talks exclusively to Scarlet Rivera, the violinist on Desire and the... Read more... |
DVD: Martin Scorsese - Two Early FilmsSunday, 23 April 2017
Alice Doesn’t Live Here Any More was Ellen Burstyn’s baby. Determined to use her clout after The Exorcist to make a film from a woman’s viewpoint, she offered Robert Getchell’s script to a director who confessed he knew nothing about women. “But,”... Read more... |
Taxi DriverTuesday, 07 February 2017
Travis Bickle’s Manhattan is long gone, and except for those nostalgic for its grindhouses and their exploitation fare, few surely regret its passing. It’s been years since any modern-day Travis could cruise in a yellow taxi along the erstwhile “... Read more... |
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