violin
Braimah Kanneh-Mason, Fernandes, Gent, 229 review - a beguiling trip around the worldMonday, 10 February 2025
It was the sonically adventurous, shiveringly atmospheric cello piece by Latvian composer Preteris Vasks that proved to be the first showstopper of this enjoyably esoteric evening. Dutch cellist Hadewych van Gent began the pianissimo movement of... Read more... |
Widmann, LSO, Pappano, Barbican review - razor-sharp attack in adrenalin chargesFriday, 07 February 2025
Perhaps all great music counterpoints and comments on the times, but Antonio Pappano and the London Symphony Orchestra have been searingly congruent. Before he took up his post as Chief Conductor, there were the extinction whispers of Vaughan... Read more... |
'His ideal worlds embraced me with their light and love': violinist Irène Duval on the music of FauréSaturday, 02 November 2024
"I always enjoy seeing sunlight play on the rocks, the water, the trees and plains. What variety of effects, what brilliance and what softness... I wish my music could show as much diversity." Gabriel Fauré, who wrote those words and is indisputably... Read more... |
theartsdesk in Switzerland: Lucerne and Gstaad offer curious audiences fresh perspectives on much-loved worksTuesday, 27 August 2024
The summer festival circuit in Central Europe can be a bit of a merry-go-round. Notices in festival towns promise world-class orchestras and soloists, but they are usually the same performers, making festival appearances as part of broader touring... Read more... |
theartsdesk at the Ryedale Festival: dances, and songs, to the music of timeMonday, 29 July 2024
“Cherish the moments. They go ever so quickly.” Sheila Hancock, beloved actor, writer – and award-winning singer, notably of Stephen Sondheim in Sweeney Todd – gave us that carpe diem nudge in the course of an afternoon discussion of her favourite... Read more... |
Gomyo, National Symphony Orchestra, Kuokman, National Concert Hall, Dublin review - painful brilliance around a heart of darknessSaturday, 11 May 2024
No soloist gets to perform Shostakovich’s colossal First Violin Concerto without mastery of its fearsome technical demands. But not all violinists have the imagination to colour and inflect the Hamlet-like monologue of its withdrawn first movement,... Read more... |
Josefowicz, LPO, Järvi, RFH review - friendly monstersMonday, 08 April 2024
At first glance, this looked like an odd coupling: Stravinsky’s Violin Concerto from 1931, all spiky neo-classicism and short-winded expressionist sparkle, as a tributary opening before the mighty rolling stream of Bruckner’s Seventh Symphony.Yet in... Read more... |
Faust, LSO, Rattle, Barbican review - violence and wit in Shostakovich, luminosity in BrahmsSunday, 03 March 2024
The LSO’s apéritif hour “Half-Six Fixes” have an informality that usually works and sometimes doesn’t. But the first of this two-night run of Dmitri Shostakovich’s monstrous and terrifying Fourth Symphony was unforgettable. Panels on the auditorium... Read more... |
Tetzlaff, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - something of a puzzleTuesday, 30 January 2024
Chief conductor John Storgårds’ first programme of 2024 in the Bridgewater Hall was notable for the visit of Christian Tetzlaff as violin soloist, but perhaps a little puzzling in the choice of Thomas Adès’ Violin Concerto as the vehicle for his... Read more... |
Balanas Sisters, Anonimi Orchestra, The Bomb Factory, Marylebone review - talented Latvian conductor heads exciting new ensembleWednesday, 24 January 2024
In an evening filled with "firsts" one of the many striking aspects was the effect the Anonimi Orchestra debut had on people walking past on the Marylebone Road. As we sat in the warehouse space of the Bomb Factory – with its exposed brick walls and... Read more... |
SCO, Ilias-Kadesha, Queen’s Hall, Edinburgh review - Eastern promise sputters outMonday, 15 January 2024
Violinist Jonas Ilias-Kadesha was placed front and centre of the publicity for this concert. This is his first season concert with the SCO, though back in 2019 he stood in for an indisposed soloist at short notice for one of their European tours.... Read more... |
Maxim Vengerov, Polina Osetinskaya, Barbican review - masterclass in technique with a thrilling rage of emotionsWednesday, 01 November 2023
For the first half of this spellbinding recital, Maxim Vengerov chose three works framed by one of Romantic music’s most infamous and turbulent stories.In 1853 the violinist Joseph Joachim became close friends with Robert and Clara Schumann – and as... Read more... |
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