Peter Culshaw’s periodic global themed radio show is allowed back in the MusicBox Radio studio with special guest, the distinguished soundtrack composer Dominik Scherrer. Dominik’s latest hit series was The Serpent, the dark tale of Charles Sobhraj, the “Bikini Killer” or “The Serpent” who killed young often lost, idealistic Western travellers mainly in Bangkok in the 1970s, but also elsewhere on the hippy trail east.

Mdou Moctar is often dubbed as the “Hendrix of the desert”. He is not the first West African musician to be linked with African-American guitar stars.

In this era when there is so much talk and discussion around crossing musical boundaries, diversity in music and inter-disciplinary work it seems strange that there is still so little knowledge of how, why and when it works. Ironically, much of this type of work and collaborative process is much older than we often think and give credit to.

“Zanzibar, are you ready?” yells the singer from the stage.

There’s a huge cheer. It seems the crowd – and it is a crowd – is certainly ready. In shades, a flat cap and dreadlocks down his back, singer Barnaba Classic (pictured below left) is on stage at Zanzibar’s Sauti za Busara festival. Over from Dar es Salaam, Barnaba is a big star in Tanzania and is headlining the festival’s first night after seven hours of music.

There have been Felabrations, stage musicals, bands featuring his sons Seun and Femi that have continued the legacy. There has been the slew of re-releases from his massive catalogue, and a number of films, including Alex Gibney’s Finding Fela, and the 1982 classic, Music is the Weapon. In his afterlife, the legendary Fela Kuti and his music feels more alive than ever.

Enlisting Hollywood giant Samuel L Jackson to host a series about the history of slavery, his own ancestors having been trafficked from West Africa to the Americas, was a headline-grabbing move, and scenes where we travelled with Jackson to the historic slaving hotspot of Gabon rang with a steely sense of commitment.

This fifth feature from Claire Denis must surely be the director’s most sheerly concentrated film.

Filmed, as one would, well, imagine, prior to lockdown, Imagine .... My Name is Kwame hearkens to what now seems a bygone era of full and buzzy playhouses and adventurous theatre-making that was about the live experience and not some facsimile online.

Peter Culshaw’s periodic global music radio update is back, quicker than usual as there is some catching up to do. There’s a focus on Ennio Morricone, who died this week - with his amazing range from Westerns to lush soundscapes and experimental hipster 1960s hipster pop.

Peter Culshaw’s occasional global radio music show comes blinking into the light after lockdown, as MusicBox radio’s studio In London’s Clerkenwell has tentatively, antiseptically, opened. In the months since March, we have lost numerous kings of rhythm, including, as mentioned in the show, Florian Schneider and Little Richard.