Brighton
The Last Poets, Brighton Festival review - black power sets the night alightWednesday, 16 May 2018The venom with which Abiodun Oyewole spits “America is a terrorist”, the key repeated line to “Rain of Terror”, has startling power. The piece is an unashamed diatribe against his nation. Beside him his partner Umar Bin Hassan rhythmically hisses... Read more... |
David Shrigley/Brett Goodroad, Brighton Festival review - showcases puncturing the medium's pretenceTuesday, 15 May 2018In his 1991 novel Mao II, Don DeLillo called the literary medium “a democratic shout”. His oft-quoted claim is that any man or woman on the street could strike it lucky, find their voice, and write a great book. Not only does everyone carry round a... Read more... |
Problem in Brighton, Brighton Festival review - comic but patchy rock showFriday, 11 May 2018Problem is Brighton is down in the Festival programme as an “alt-rock/pop pantomime”, with actors involved and the inference it’s some sort of musical featuring “instruments specially created by David Shrigley for the performance”. This turns out to... Read more... |
The Flying Lovers of Vitebsk, Brighton Festival review - a dynamic dedication to an artist's museThursday, 10 May 2018They say that behind every successful man is a strong woman. The Flying Lovers of Vitebsk is as much – if not more so – the championing of the unsung hero in this story of the famous early modernist artist, Marc Chagall. His wife, Bella – early muse... Read more... |
Hofesh Shechter Company: Grand Finale, Brighton Festival review - politics, percussion and powerful choreographyTuesday, 08 May 2018There is a sense of loyalty from the Brighton audience awaiting Hofesh Shechter’s new work. They have seen his company here in 2009, for the Brighton Festival commission of The Art of Not Looking Back, and the infamous Political Mother premiered... Read more... |
IOU Rear View, Brighton Festival review - imaginative odyssey around townSunday, 06 May 2018Yorkshire theatre company IOU have a tool in their armoury that most of their peers do not. It’s an open-topped bus with tiered seating, as pictured above, built in Halifax and the only one of its type, replete with headphone sets for every seat. It... Read more... |
NoFit State Circus present Lexicon, Brighton Festival review - a wild eye-boggling jamboreeSaturday, 05 May 2018When an acquaintance heard my first review of the Brighton Festival was a circus event they snorted, “Oh dear.” It’s strange; for a couple of decades there’s been a default setting among broad swathes of otherwise artistically-inclined Boho sorts:... Read more... |
Picks of Brighton Festival 2018 by writer-director Neil BartlettThursday, 03 May 2018Director, playwright and novelist Neil Bartlett has been making theatre and causing trouble since the 1980s. He made his name with a series of controversial stark naked performances staged in clubs and warehouses, then went on to... Read more... |
Brighton Festival 2018 PreviewWednesday, 02 May 2018This weekend sees the Brighton Festival 2018 kick off. Anyone visiting the city on Saturday 5 May would find this hard to miss as the famous Children’s Parade makes its way around the streets, a joyous dash of colour and creativity. This year’s... Read more... |
10 Questions for Artist David ShrigleyTuesday, 01 May 2018David Shrigley (b. 1968) is an artist whose work has become broadly popular via a wide range of formats. At first glance, his stark pen-on-paper drawings seem akin to humorous newspaper cartoons – and, indeed, he’s contributed to The Guardian for... Read more... |
10 Questions for Performer Seth KriebelThursday, 05 April 2018Seth Kriebel, 45, is a performer, much of whose work involves audience participation. He is bringing the show A House Repeated to the Brighton Festival 2018 between 6th and 11th May. Of American origin, born and raised near Philadelphia, Kriebel... Read more... |
CD: The Fiction Aisle - Jupiter, FloridaFriday, 19 January 2018The third album from Thomas White under his Fiction Aisle moniker is a match for its delicious, under-heard predecessors. White remains best known for his output with The Electric Soft Parade and Brakes but the prolific Fiction Aisle (three albums... Read more... |