contemporary classical
Classical CDs Weekly: Collins, Gershwin, In EchoSaturday, 14 April 2018
David Collins: Violin Sonatas Duo Ardoré (Sheva)There's little biographical information to be found online about British composer David Collins, other than that he was born in 1953, studied at the RNCM and has only recently started to compose full... Read more... |
Dickson, SCO, Swensen, Queen's Hall, Edinburgh review - world premiere of a bold new workFriday, 13 April 2018
It’s as intricate as it is concise. The depth to the architecture of James MacMillan’s Saxophone Concerto – which was given its world premiere this week by saxophonist Amy Dickson and the Scottish Chamber Orchestra – is quite astounding, and all the... Read more... |
Chineke!, Parnther, QEH review - a joyful re-building of the houseTuesday, 10 April 2018
Even after the venue’s 30-month refurbishment, you still would not choose the sprawling foyer of the Queen Elizabeth Hall as the prime site for a pre-concert speech. By the time, last night, that Heritage Lottery Fund chair Sir Peter Luff got to say... Read more... |
Classical CDs Weekly: Lūcija Garūta, Dag Wirén, Ruby HughesSaturday, 31 March 2018
Lūcija Garūta: Music for Piano Reinis Zariņš (piano), Liepāja Symphony Orchestra/Atvars Lakstīgala (LMIC/SKANI)The Latvian composer Lūcija Garūta (1902-1977) reached maturity in the early days of Latvian independence, a supremely talented... Read more... |
Classical CDs Weekly: Prokofiev, Philip Sawyers, Andrew Matthews-OwenSaturday, 17 March 2018
Visions of Prokofiev Lisa Batiashvili (violin), Chamber Orchestra of Europe/Yannick Nézet-Seguin (DG)Buried beneath the soft focus photos and waffly booklet are very decent performances of Prokofiev’s two Violin Concertos. Lisa Batiashvili... Read more... |
Wake, Birmingham Opera Company review - power to the peopleThursday, 15 March 2018
“Would you like a veil?” asked a steward, offering a length of black gauze, and when you’re at a production by Birmingham Opera Company it’s usually wisest to say yes. You get used to it - the frantic Google-mapping to locate the venue; the hike... Read more... |
Ruthless Jabiru, King's College London / Arditti Quartet, Wigmore Hall review - delicate, dedicated modernismTuesday, 13 March 2018
Ruthless Jabiru is an all-Australian chamber orchestra based in London. It is the brainchild of conductor Kelly Lovelady, who in recent years has geared the ensemble towards political and environmental concerns. Previous projects have highlighted... Read more... |
Tones, Drones and Arpeggios: The Magic of Minimalism, BBC Four - brilliant appraisalMonday, 05 March 2018
By most measures, minimalism is the most successful movement in 20th-century music, certainly orchestral music. The story of its inexorable spread from a tiny offshoot of the 1950s experimentation of John Cage, which was defined and promoted by two... Read more... |
Dead Man Walking, Barbican review - timely and devastating meditation on human violence and forgivenessWednesday, 21 February 2018
You have to wonder why it has taken this long. Jake Heggie’s Dead Man Walking premiered in San Francisco back in 2000 and has since been performed over 300 times across the world, staged everywhere from Cape Town to Copenhagen. Only now, 18 years on... Read more... |
Explore Ensemble, EXAUDI, St John's Smith Square review - making sense of NonoTuesday, 20 February 2018
This was an evening of silence and shadow, a chill, moonlit meditation, where each sound demanded forensic attention. Enter the world of Luigi Nono and his admirers. As his compatriot Sciarrino wrote of Lo Spazio Inverso, which opened the... Read more... |
DVD: London SymphonyFriday, 16 February 2018
Director Alex Barrett’s wordless London Symphony is a conscious throwback to the silent "city symphonies" of the 1920s, specifically Walter Ruttmann’s 1927 Berlin - Symphony of a Great City. You’re also reminded of Terence Davies’s Of Time and the... Read more... |
Classical CDs Weekly: Brahms, Sterndale Bennett, Fieri ConsortSaturday, 03 February 2018
Brahms: Piano Concerto No. 2, Strauss: Burleske Joseph Moog (piano), Deutsche Radio Philharmonie/Nicholas Milton (Onyx)It's not you, it's me. That’s probably what I'd say to Brahms in attempting to explain why I generally prefer his craggy D minor... Read more... |
