contemporary classical
graham.rickson
Stewart Goodyear: Callaloo, Piano Sonata; Gershwin: Rhapsody in Blue Stewart Goodyear (piano), Chineke! Orchestra/Wayne Marshall (Orchid Classics)Callaloo is Stewart Goodyear’s indecently entertaining suite for piano and orchestra, the title referring to a mixture of diverse elements. Goodyear alludes to having grown up in a polyglot, multicultural Toronto, also taking inspiration here from his Trinidadian heritage. Specifically a recent encounter with the country's Carnival tradition (“I was exposed to Calypso music for two weeks straight, riveted every second”). Visceral excitement Read more ...
Robert Beale
Who would have thought that a one-narrator show, mainly about projects that never got off the ground, would turn out to be such a satisfying evening’s entertainment?Phelim McDermott, writer, co-director and performer in Tao of Glass, is undoubtedly the star. He tells us about growing up in Blackley, Manchester, and his early experiences of showbiz – some in the very place where we are sitting, the Royal Exchange Theatre. (The Norman Tebbit test of being a true Manc, incidentally, is whether you know how to say "Blackley" correctly: Phel’s the genuine article and we love him for it.)He says Read more ...
Robert Beale
Two hundred years ago next month, an assembly of around 60,000 people gathered on St Peter’s Fields in Manchester to protest about their lack of political representation. Speakers addressed the crowd, bands played and banners were carried.The local magistrates didn’t like it and gave orders for the crowd to be dispersed by the mounted yeomanry, backed up by the hussars, who drew their sabres and charged. Eighteen people were killed and hundreds injured. That was the "Peterloo Massacre", named after the Battle of Waterloo, only four years before. The centre of its site became that of the Free Read more ...
graham.rickson
The Orchestral Music of Jonathan Dove BBC Philharmonic/Timothy Redmond, with Lawrence Zazzo (counter-tenor) (Orchid Classics)Jonathan Dove’s Airport Scenes could be subtitled Four Air Interludes, each movement extracted from his Glyndebourne success, Flight. They're great fun, and conductor Timothy Redmond’s notes spell out what's happening second by second. Who wouldn't like to hear an orchestral version of a jet engine starting up and leave the tarmac? Dove paints his images with such skill, the hints of Wagner and John Adams never concealing his own personality. The other pieces on Read more ...
Miranda Heggie
It’s quite a weighty concept, and one which could easily have buckled had both the music and its execution not been of the highest quality. Aurora Orchestra’s "Music of the Spheres" was a concert inspired by the Greek philosopher Pythagoras’s theory that each of the planets in our solar system must emit a particular sound through its orbit. The story goes that while passing a blacksmith at work, Pythagoras noticed that the sound produced by two anvils of differing weights was the same, though an octave apart. He weighed both the anvils and found that their weights had an exact ratio of 2:1 Read more ...
Miranda Heggie
Playing with such energy, such synergy and such general camaraderie at the start of a tour must surely pave the way for even greater things to come. The Scottish Chamber Orchestra with Nicola Benedetti kicked off their European tour at Birmingham Town Hall, ahead of performances in Denmark, Switzerland and Germany. Opening with Mozart’s Third Violin Concerto, Benedetti gave a captivating solo performance, while directing the orchestra with assurance and style. Commanding the SCO, Benedetti’s leadership from the violin was strong and compelling, as were her cadenzas, where her solo playing Read more ...
Peter Quantrill
What happens on the stage of Stockhausen’s first opera would fill a book – quite a bad novel – but the plot is simple enough. Michael grows up with a domineering, game-hunting father and mentally unstable mother; discovers sex; passes his exams; travels the globe and finds his calling in life as a visionary and saviour.Premiered in 1981 and last seen in London in 1985, this skimpily veiled autobiography launched a cycle of seven music dramas, one for every day of the week and each of them reinventing from scratch what we think of as opera. The brassy Greeting in the foyer of the Royal Read more ...
Maxime Pascal
Stockhausen stands alongside Monteverdi and Beethoven as a composer who exploded the understanding of his art. Stockhausen deeply changed the relationship between space, time and music; there’s a human, intimate dimension to his composition, and he predicted the future. If Edgar Varèse anticipated the invention of electronic sound, then Stockhausen imagined a theatre of the future, combining electronics with the metamorphosis of the space and the circulation of sound in the concert hall to explore questions of acoustic properties that much newer forms of technology are still probing today. Read more ...
David Nice
First under Soviet rule, then in the remarkable flourishing of a liberated nation, Estonian contemporary music has held its independent head high and showcased it, under the aegis of the Estonian Composers' Union, first for a few days and now for more than a week in spring. In this, its 40th anniversary year, Estonian Music Days became World Music Days, hosting composers from 60 countries as the base for the 96-year old ISCM. Maybe it was partly because Estonia, Latvia and Lithuania understand the two aspects of its chosen theme, "Through the Forest of Songs", so well that they still came out Read more ...
Bernard Hughes
There can be no questioning trumpeter Håkan Hardenberger’s extraordinary mastery: his big, unforced sound, mellifluous legato, athletic virtuosity and utterly controlled high notes. But his well-attested commitment to the avant-garde led the Wigmore audience to stay away in droves from his recital last night, leaving the hall insultingly empty for such a star performer.But the programme didn’t just look intimidating on paper, it turned out to be somewhat hard work in practice, not only for those Wigmore patrons who prefer Beethoven and Schubert, but even for those of us with an enthusiasm for Read more ...
Thomas H. Green
Will Gregory (b.1959) is best known as one half of the alt-pop duo Goldfrapp but has a long career in music that dips into many areas. Throughout the 1980s and 1990s he was a working musician who toured with multiple bands, notably, Tears for Fears, as well as playing on sessions for albums by artists ranging from The Cure to Portishead. He is a multi-instrumentalist valued for his saxophone and woodwind playing (from Moondog and Michael Nyman to Peter Gabriel and it’s him on Spiritualized’s Lazer Guided Melodies), but as much for his general studio and arrangement abilities.Since 1999 Read more ...
Mark Sheerin
“I think we need to get rid of labels, certainly World Music,” insists Soumik Datta, who is both composer and musician, and has lived in the UK since the age of 11. “It is possible to be a musician in the Indian tradition, as well as an electronic musician, as well as a contemporary musician... When it’s convenient, the music industry warps things to make them fit, but otherwise all the pigeonholing and the taxonomies are really unhelpful to a lot of artists out there.”Datta plays the sarod. This 19-string instrument has a tremendous range and provides enough complex rhythms and glissando Read more ...