Dublin
Kathryn Reilly
Be careful what you wish for. Turns out the dream that most bands yearn for isn't all it's cracked up to be. Fontaines DC's debut album, Dogrel went large (and won a Mercury Prize nomination and BBC 6 Music's Album of the Year). They toured like crazy and nearly imploded. But, just a year later, they're back. And this time it's personal. The title song perhaps explains the progression "that was the year of the sneer now the real thing's here".So you won't find the "post-punk bangers" of yore. Or tales of Dublin back streets. It's a completely different affair – bleak, bold and Read more ...
Mark Kidel
Dublin’s Imelda May, who made her name as a superlative performer of high-energy rockabilly in a way that reflected the music’s partly Irish roots, has just released her first poetry recordings: nine punchy, moving, sometimes humourous and well-crafted spoken lyrics, mostly accompanied by subtle yet atmospheric strings.She has a great voice, both sensual and strong. Here, the vocal textures and natural sense of rhythm and pacing serve her well. She had revealed her versatility on her previous album Life Love Flesh Blood (2017) where, in the inspiring hands of master producer T-Bone Burnett, Read more ...
Lauren Brown
The relationship between Joe, Robin and Ruth is far from your average love triangle. On the face of it, Robin loves Ruth, but after introducing her to his charismatic friend Joe – an artist and renegade – their affair reroutes all of their lives forever.We know Robin and Ruth end up married, and as a reader we must piece together how we got from A to B. But at the core of the novel is the belief that life isn’t linear and causality certainly isn’t that clean-cut. A story which initially seems anchored in a London pub slowly unfurls into a collection of memories that, when slowly puzzled Read more ...
Kieron Tyler
What a lovely surprise. A debut album with its own sensibility that’s come out of the blue. Aoife Nessa Frances is from Dublin and the terrific Land of No Junction – the title comes from a mistaken hearing of Llandudno Junction – signals the arrival of a major new talent.This Land of No Junction borders on zones traversed by Kevin Ayers, Cate Le Bon, The Eighteenth Day of May, the pre-Sandy Denny Fairport Convention, Bridget St John, Stereolab, Sumie, Trimdon Grange Explosion and Wendy and Bonnie.Highlights are many, but the nine-track album can be characterised. “Libra” is brilliant, a Read more ...
David Nice
Could Gerald Barry's first opera really be as enervating in the Royal Opera House's Linbury Theatre as it seemed nearly 30 years ago at its Almeida Music Festival premiere? Since then we've become accustomed to wonder at, even love, the Barry style with its shrills and jitters, at least in its wacky takes on known treasures like The Bitter Tears of Petra von Kant, The Importance of Being Earnest - in operatic form, the funniest operatic comedy since Britten's Albert Herring - and Alice's Adventures Under Ground. Here, though, Vincent Deane's baffling fantasia on creativity and singing in mid- Read more ...
Adam Sweeting
This is a scathing and heartfelt coming of age drama, though not of the adolescent kind. Tyler and Laura are soulmates and flatmates, two single women blazing a riotous trail of booze, sex and drugs through the bars and basements of Dublin. But with Tyler turning 30 and with Laura two years ahead of her, the spectre of delayed-action adulthood is looming.“Sooner or later the party has to end,” warns Laura’s sister Jean. We know she used to be a wild one herself, from an incandescent scene of her carousing naked and vajazzled in a crowded bar, but now she’s a wife and new mother facing grown- Read more ...
Veronica Lee
They’re back and they’re looking and sounding good – and Spice Girls mania took over Dublin’s city centre for several hours before their concert yesterday. Hotels were booked out, every other woman I passed in the street was wearing a Spice Girls T-shirt or hat, and by mid-afternoon the whole city appeared to be moving as one towards Croke Park. Yet despite the fans’ enthusiasm, there’s always a worry that recreating a brand – as the Spice Girls became – from their mid-1990s heyday may make them seem dated or an irrelevance to a generation well versed in feminism and their own versions Read more ...
Markie Robson-Scott
A Tana French crime novel is never just a thriller. Probably more acclaimed in the USA than the UK (she gets rave reviews in the New Yorker and the New York Times) French always transcends the genre, stylistically, emotionally, atmospherically.Her Dublin Murder Squad series, with its detailed police procedurals, is addictively many-layered: in the chilling Broken Harbour, the collapse of the Irish housing boom forms a menacing backdrop to family crack-ups, a multiple murder and a detective who feels the presence of evil as a “high hum” in his skull; in The Secret Place, a girls’ boarding Read more ...
Jenny Gilbert
Sean Holmes is artistic director of the Lyric Theatre, Hammersmith, yet his revival of this seminal Irish play has taken two years to come home to him. The production was commissioned by the Abbey Theatre, Dublin, to mark the centenary of the Easter Rising, the miserably bloody six-day revolt that gave birth to the Republic of Ireland. It has since been seen by more than 50,000 people.Given that Holmes is English (he’s a Sean, not a Seàn as in O’Casey, the author of the play), it was remarkable to be asked to direct such a famous Irish text addressing the issue of national identity. It was Read more ...
Katherine Waters
Colours had meanings for Emil Nolde. “Yellow can depict happiness and also pain. Red can mean fire, blood or roses; blue can mean silver, the sky or a storm.” As the son of a German-Frisian father and a Schleswig-Dane mother, Nolde was raised in a pious household on the windswept flat land on the border on Germany and Denmark that his family farmed. The Bible was practically the only book in the household and had been in the family for nine generations, and his understanding of colour was drawn as if from a chromatic psalter. “Every colour harbours its own soul,” he wrote, "delighting or Read more ...
Boyd Tonkin
Although he made his name with the generally upbeat grooves and licks of his Barrytown Trilogy, Roddy Doyle has often played Irish family and social life as a blues full of sorrow and regret. In his Booker-winning Paddy Clarke Ha Ha Ha, a bitter parental break-up shadows the wee hero’s passage through childhood. Domestic violence and the self-medication found in booze fuel The Woman Who Walked into Doors and its sequel, Paula Spencer. Nowhere, however, has Doyle pushed his bantering, motor-mouthed Dubliners further down into darkness than in this latest novel. The results may divide his Read more ...
Marina Vaizey
The marvellous National Gallery of Ireland, founded in the 1860s, has opened its doors to its brilliantly revamped, updated and expanded galleries. As a spectacular bonus in its opening summer, Vermeer and Masters of Genre Painting reposes in the enfilade of the newly re-done permanent galleries for temporary exhibitions.After half a dozen years effectively closed for refurbishment, the new National Gallery of Ireland joins a roster of other modernised and expanded institutions. Just a year ago the Switch House opened at Tate Modern, and at the end of June, the V&A will open its massive Read more ...