family relationships
End of Sentence review - an American father and his estranged son reconcile in IrelandSaturday, 15 May 2021
It’s not until the final moments of End of Sentence that Frank (John Hawkes) lets himself laugh – he’s swimming in the icy waters of an Irish lake - and what a relief it is to hear. Icelandic director Elfar Adalsteins’s debut feature (Sailcloth, a... Read more... |
The Pursuit of Love, BBC One review - extravagantly entertainingMonday, 10 May 2021
Nancy Mitford's 1945 literary sensation looks poised to be the TV talking point of the season, assuming the first episode of The Pursuit of Love sustains its utterly infectious energy through two hours still to come. Adapted and directed by the... Read more... |
Sunjeev Sahota: China Room review - separate, related livesMonday, 10 May 2021
China Room, Sunjeev Sahota’s third novel, is a familiar, ancestral tale: the story of Mehar, living in late 1929 in rural Punjab, is narrated alongside that of her unnamed descendant in 1999, who has grown up in England. Despite the hardships... Read more... |
Album: Sufjan Stevens - ConvocationsSaturday, 01 May 2021
Sufjan Stevens is not only prolific, multi-talented and wide-ranging in his experimentation, but he never fails to make interesting work. He’s undoubtedly one of the giants of American contemporary music. His originality and creative risk-taking... Read more... |
The Artist's Wife review - uninspired portrait of dementia in the HamptonsWednesday, 28 April 2021
“The only child I’ve ever had is you,” the artist’s wife (Lena Olin), spits at the artist, her considerably older husband (Bruce Dern), who retorts, “That was your goddamn choice so don’t blame it on me.”Although the setting – a wintery East Hampton... Read more... |
True Mothers review - how many people does it take to raise a child?Thursday, 15 April 2021
On the 30th floor of a Tokyo apartment building, a charming little boy brushes his teeth, watched over by his smiling mother who sings to him gently. He’s full of joy - today his dad’s coming with them on the walk to nursery school. The little... Read more... |
Blu-ray: I Was at Home, But...Thursday, 15 April 2021
The term most often used about Berlin director Angela Schanelec’s filmmaking seems to be “elliptical”, and her latest film, I Was at Home, But..., which won the Best Director award at Berlinale 2019, is no exception. Approaching it is like an... Read more... |
Sequin in a Blue Room review - soullessness and sex in SydneySaturday, 10 April 2021
Sequin is the screen name for the questing 16-year-old at the slowly awakening heart of Sequin in a Blue Room, a 2019 Australian film only now reaching the UK. The graduation project of its New Zealand-born director and co-writer Samuel Van Grinsven... Read more... |
Andrea Bajani: If You Kept a Record of Sins review - where blame, grief and discovery meetWednesday, 07 April 2021
“I think it happened to you, too, the first time you arrived.” So begins Andrea Bajani’s second novel (Se consideri le colpe, 2007), recently translated from Italian by Elizabeth Harris, with the narrator’s characteristic reserve. “You”, that... Read more... |
Memories of My Father review - the richness of childhood, the cruelty of historySaturday, 27 March 2021
Spanish director Fernando Trueba’s Memories of My Father adapts the Colombian writer Héctor Abad Faciolince’s 2006 family memoir, which was published in English as Oblivion: the Spanish-language title of both book and film, El Olvido Que Seremos (“... Read more... |
My Father and Me, BBC Two review - Nick Broomfield's moving voyage around his familySunday, 21 March 2021
Nick Broomfield made his first film 50 years ago, and his career over those five decades (and some three dozen works) has been as distinctive, and distinguished as that of any British documentary maker. It has ranged from early films on British... Read more... |
Verdict review - social realism and court procedural combine in powerful Manila dramaSaturday, 13 March 2021
There’s something of an anomaly in Filipino director Raymund Ribay Gutierrez’s debut feature between its fast-moving dramatic opening, defined by an agile hand-held camera, and the much slower, more static scenes that follow. That early material,... Read more... |
