family relationships
Demetrios Matheou
Chilean Dominga Sotomayor’s third feature is a beautifully crafted example of the kind of Latin drama that is slow-burn and sensorial, conveying emotion through gestures and looks rather than dialogue or action. Nothing much seems to be happening, but before you know it you’ve been completed sucked in. Prompted by the writer/director’s own childhood on an ecological community outside Santiago, it offers a pithy, bitter-sweet reminder that idealism doesn’t necessarily lead to happiness and that children’s needs remain the same wherever they are: parental solidity, love, the freedom Read more ...
Joseph Walsh
Like Snowpiercer before it, Bong Joon-ho’s rage-fuelled satire Parasite puts class inequality squarely in its sights. This time however, the story is grounded in the real world and concerns a family of hustlers who will do anything to get by. There are other similarities with his twisted 2013 sci-fi. Joon-Ho’s use of contained spaces once again allows the director to navigate his subject matter very effectively.The film opens in a basement flat, where a young man in his early twenties, Ki-woo (Choi Woo-shik), lives with his sister (Park So-dam), mother (Chang Hyae-jin) and father (Song Read more ...
Ellen McDougall
I’ve wanted to direct Thornton Wilder’s Our Town for a long time.The play is beautifully written and its form feels not only ahead of its time (it was written in 1938), but also extremely powerful for a contemporary audience in an open air theatre.As you might guess from the title, Our Town tells the story of a community: in the first act we meet everyone in the town from the paperboy to the doctor. But, as well as the people alive at this moment in time within the town, the scope of the play also stretches back into the historic and prehistoric life of its community, and stretches Read more ...
Markie Robson-Scott
“Do you know why I’m respected?” demands Ursula (Carmiña Martinez), a Wayuu matriarch in La Guajira in northern Colombia, of Rapayet (José Acosta), who wants to marry her daughter Zaida (Natalia Reyes, soon to star in James Cameron’s Terminator reboot). “Because I’m capable of anything for my family and my clan.”Directed by Ciro Guerra and his ex-wife Cristina Gallego – their Embrace of the Serpent, in which he directed and she produced, was nominated for an Oscar in 2016 – the mesmerisingly beautiful Birds of Passage covers the decades between 1960 and 1980 and the bonanza marimbera era of Read more ...
Tom Baily
The Virtues (Channel 4) sees director Shane Meadows (Dead Man’s Shoes, This Is England) reunite with actor Stephen Graham in what is certainly their most raw and emotionally bruising project to date. Meadows returns to familiar territory, with themes of disaffection and familial separation mapped over a small cast of characters who are grappling with emotional turmoil. Graham, in a career standout performance, has never seemed so bare – or so dramatically powerful – as he is here. It is a supremely controlled display of a man in chaos, grasping for redemption.He plays Joseph, a middle-aged Read more ...
Thomas H. Green
Flight is a show by experimental Scottish theatre company Vox Motus, adapted from the novel Hinterland by Caroline Brothers. It’s about two Afghan child refugees making their way across Europe to the fabled land of “London” and is based very directly on her own interviews with asylum seekers as a journalist. So far, so narrartively straightforward but Flight is unlike anything most people will have seen. It is as much art installation as it is theatre, perhaps more so, yet it’s a tale beautifully, economically told and is profoundly moving.In a recent artsdesk interview Candice Edmunds, one Read more ...
graham.rickson
The packaging suggests that Radu Jude’s Everybody In Our Family (Toată lumea din familia noastră) is a dark romp, one source describing it as a “chaotic yet endearing comedy chamber piece”. And no one would dispute the sheer craft on display, Jude’s hand-held camera capturing in real time a seismic family breakdown. The performances are magnificent, the direction brilliant, but watching this 2012 film is a gruelling experience. It was the third feature from the Romanian director, whose most recent work, I Do Not Care If We Go Down in History as Barbarians (2018), brought him considerable Read more ...
Tom Birchenough
Robert Guediguian has spoken of the influence of Chekhov on The House by the Sea (Le Villa), and the shadow of the Russian dramatist, particularly The Cherry Orchard, can certainly be felt in the French director’s latest film, his 20th in a career that stretches back now some four decades. It’s there in ways that are thematic and structural equally, from its sense that a particular environment, a precious place that has defined the lives of the film’s protagonists in the past, is changing, to an unstudied story development defined by the loosely theatrical, almost “fly-on-the-wall” way in Read more ...
Katherine Waters
By fifteen Ummulbanu Asadullayeva — or Banine, to call her by the name under which she wrote and translated — had already lived more than most of us will in a lifetime. She’d experienced great love, married, been both a refugee and returnee, survived a pogrom, become a multimillionaire, been divested of that fortune by revolution, and read nearly the entire contents of her Aunt Rena’s library. By 1924, she was living in Paris, where she settled. Her life was extraordinary, but so were the times.Days in the Caucasus, the autobiography of her childhood, written in French and published in her Read more ...
Matt Wolf
The decades-long stage relationship between Judi Dench and Trevor Nunn translates to surprisingly little with Red Joan. This is veteran theatre director Nunn's first film since Twelfth Night in 1996. Top-billed in a supporting role, Dench brings her customary rigour and a continually fretful mien to this semi-fictionalised retelling of the plight of the so-called "granny spy", Melita Norwood, who was charged in 1999 with passing secrets to the Russians in their efforts to build an atomic bomb. (The film's actual source is Jennie Rooney's 2013 novel of the same name.) Caught unawares by Read more ...
Laura de Lisle
“We don’t love you any less.” A natural sentiment to express to your child when you’re separating from your partner, but the very fact of saying it plants doubts in the child’s mind as to whether you really mean it. As the audience of Wilderness at the Hampstead Theatre Downstairs, a new play written by Kellie Smith and directed by Hampstead regular Anna Ledwich, we feel Alistair’s doubts and fears keenly – mostly because we are him.The story treads familiar territory as parents Joe (Finlay Robertson) and Anne (Natalie Klamar) try to stay amicable for Alistair’s sake, and inevitably Read more ...
Owen Richards
When Jason and Tracey were trying for a baby, the worst happened. Tracey was diagnosed with breast cancer, and although she eventually recovered, was unable to carry a child. For Jason, the answer was clear - as a trans man, he would become pregnant instead.The new documentary A Deal with Universe follows Jason and Tracey’s journey as they attempt to conceive. It might sound niche, but in reality, it’s a universal story of love and determination. Like many couples, they struggle with failed IVF treatments and miscarriages; Jason’s gender is almost an afterthought. Told through home Read more ...