independent cinema
LFF 2020: Nomadland review - Francis McDormand gives a career-defining performanceTuesday, 20 October 2020
Chloé Zhao’s The Rider was a film of rare honesty and beauty. Who would have thought she’d be able to top the power of that majestic docudrama? But with Nomadland she has.To call it a loose adaptation of Jessica Bruder’s Nomadland: Surviving America... Read more... |
Being A Human Person review - enter the surreal world of Roy AnderssonFriday, 16 October 2020
It’s fair to say that the idiosyncratic, surrealist films of Roy Andersson are not everyone’s cup of tea. Whether you find his films impregnable or incisive, it’s impossible to argue with the artistic imprint the Swedish auteur has had on European... Read more... |
Blu-ray: IvansxtcTuesday, 13 October 2020
“Every cliché about Hollywood is true,” director Bernard Rose remarked in 2018, at the screening Q&A of the restored version of his 1999 Ivansxtc that appears as an extra on this Arrow release – and, post-#MeToo, the film’s satire of that milieu... Read more... |
The Best Films Out NowMonday, 05 October 2020
There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Enola Holmes ★★★★ Millie Bobby Brown gives the patriarchy what-for in... Read more... |
Eternal Beauty review - imagination in every frameFriday, 02 October 2020
Barring a few outliers, British indies tend to follow the same formula: serious subjects told seriously. Whether it’s a council estate, a rural farm, or a seaside town, you can always rely on that trademark tension and realism we Brits do so well.... Read more... |
Matthias & Maxime review - psychology and romance make for cinematic goldThursday, 27 August 2020
The emotional rawness of Xavier Dolan’s films reflects a rare humanity and empathy. For someone still only 31, the French-Canadian writer and director displays an uncanny sense of the passionate turmoil that animates his characters. The subtle... Read more... |
Yes, God, Yes review - coming of age, emphasis on comingMonday, 17 August 2020
It’s somewhat dispiriting to watch a coming-of-age rom-com that rarely rises above clichés and limps along as slowly as Yes, God, Yes. It's set in the early 2000s, and 16-year old Alice (Natalie Dyer) is struggling with sexual desire, idling on... Read more... |
Fanny Lye Deliver’d review - blistering English civil war westernThursday, 25 June 2020
Ten years in the making, Thomas Clay’s third feature, starring Charles Dance and Maxine Peake, is a remarkable and potent example of genre-splicing British independent filmmaking. The story opens in 1657. Cromwell is in power and, on a small,... Read more... |
The Booksellers review – a deep dive into the eccentric world of booksellingTuesday, 23 June 2020
Picture an antiquarian book dealer. Typically, it’s all Harris Tweed, horn-rimmed specs, and a slight disdain for actual customers. At the beginning of D.W. Young’s new documentary we are guided around New York’s rare book dealerships, and witness... Read more... |
Krabi, 2562 review - a trance-like visitationFriday, 29 May 2020
Have you ever visited a destination you saw on film, only to realise it’s not quite how you imagined? Filled with tourists, the scars of mass visitation, and caught between its own culture and staying commercially attractive. The Thai city of Krabi... Read more... |
Blu-ray: The Apu TrilogySunday, 24 May 2020
Over the years, the legend of The Apu Trilogy has been much-repeated. Now widely considered India’s greatest filmmaker, Satyajit Ray was little more than a small-time commercial artist when, failing to find a sponsor for his script, he assembled... Read more... |
Women Make Film: Part Two review - two steps forward, one step backFriday, 22 May 2020
The second half of Mark Cousins’ documentary on films by women filmmakers starts with religion; it ends with song and dance. This is a second seven-hour journey through cinema. It reconfirms Women Make Film as a remarkable feat of excavation and... Read more... |
