London
Remembering Henry Woolf, Harold Pinter's oldest friendTuesday, 16 November 2021
Henry Woolf's place in theatre history is small but significant, a bit like Woolf was himself. Until his death on November 11, at the age of 91, he was the last survivor of a gang who made friends at Hackney Down grammar school in the 1930s. The... Read more... |
Jazz Voice, EFG London Jazz Festival review - from intimate delicacy to stunning virtuositySunday, 14 November 2021
A celebration of that most extraordinary instrument, the human voice, this year’s edition of Jazz Voice – which gladly welcomed back a live audience and a full-strength EFG London Jazz Festival Orchestra – ranged from music of intimate delicacy to... Read more... |
Footfalls & Rockaby, Jermyn Street Theatre review - Beckett up close and personalSaturday, 13 November 2021
Like all great art, Samuel Beckett's works find a way to speak to you as an individual, stretching from page to stage and on, on, on into our psyches. This happens not through sentimental manipulation or cheap sensationalism, but through the accrual... Read more... |
Sessions, Soho Theatre review – intense, but inconclusiveSaturday, 13 November 2021
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped companies put single actors into simple playing spaces to deliver good stories for audiences that just wanted to visit playhouses again. But this theatre... Read more... |
Milk and Gall, Theatre 503 review - motherhood in the age of TrumpThursday, 11 November 2021
Tuesday, 8 November 2016. Vera is in a New York hospital room giving birth to a son. On anxiously checked phones, the votes are piling up for Hillary, but the states are piling up for Trump. Vera’s world will never be the same again.Mathilde Dratwa’... Read more... |
The Choir Of Man, Arts Theatre review - old school hits in an old school pubWednesday, 10 November 2021
Like a previous occupant of this venue, Six, The Choir Of Man started life as a quirky Edinburgh show and has gone on to be staged around the world to adoring audiences, tapping into a vibe that’s as much about participation as viewing, the show as... Read more... |
The Sugar House, Finborough Theatre review - appealing but uneven family dramaMonday, 08 November 2021
The complex history of capital punishment in Australia may not be familiar to many Londoners, but the Finborough Theatre turns out to be a good place to find one’s bearings around the subject. Set against this historical backdrop, playwright Alana... Read more... |
theartsdesk Radio Show 32: a conversation with Matt Johnson of The TheSaturday, 06 November 2021
Peter Culshaw’s occasional global music radio show returns with a two-hour conversation with one of the most innovative and enduring post-punk artists.TO LISTEN TO THE SHOW CLICK THIS LINKMatt Johnson, under his nom de guerre The The emerged into... Read more... |
Pride & Prejudice* (*sort of), Criterion Theatre review - bursting with wit, verve, and loveThursday, 04 November 2021
“We haven’t started yet!” Hannah-Jarrett Scott, dressed in Doc Martens under a 19th-century shift, reassures us as she attempts to dislodge a yellow rubber glove from a chandelier in the middle of the set of Pride & Prejudice* (*sort of).... Read more... |
Album: Katy B - Peace and OfferingsSaturday, 30 October 2021
“Flashbacks / driving in your car volume pushed right up to max / all those late nights I’d try to drink them back” These are almost the first words you hear on this record, coming in as South London Afrobeats producer P2J’s bass tones roll in on... Read more... |
Quant review - Sadie Frost's debut documentary skirts the genius of Mary QuantWednesday, 27 October 2021
As a teenager in 1967, I asked for a Mary Quant make-up box for Christmas and my parents reluctantly complied. It was so thrilling to hold that plastic white box with the black daisy in the middle and the big mirror in the lid and to be able, at... Read more... |
A Place for We, Park Theatre review - perceptive, but rather flabbyWednesday, 27 October 2021
I’ve lived in Brixton, south London, for about 40 years now, so any play that looks at the gentrification of the area is, for me, definitely a must. Like many other places in the metropolis, the nature of the urban landscape has changed both due to... Read more... |
