musicals
Sondheim at 90 Songs: 1 - 'I'm Still Here'Monday, 23 March 2020
Surely there’s never been a more apt time for Sondheim’s great cry of defiance? “I’m Still Here” is sung by showgirl-turned-actress Carlotta in Follies (1971) – added during the Boston try-out in place of “Can That Boy Foxtrot”. Loosely... Read more... |
Sondheim at 90: adults will listenSunday, 22 March 2020
Here's an irony worthy of the work of Stephen Sondheim, an artist who clearly knows a thing or two about the multiple manifestations of that word. On the same day that he turns 90, namely today, Broadway is unable to host the keenly awaited American... Read more... |
Reissue CDs Weekly: Matt Monro - Stranger In ParadiseSunday, 15 March 2020
Two years before he took on The Beatles, George Martin was working with another artiste who would go on to have success in America. Martin first encountered Matt Monro in 1960 when he signed him to the label he ran, Parlophone. The “Portrait of my... Read more... |
The Last Five Years, Southwark Playhouse review - an inspired actor-musician take on a cult classicThursday, 05 March 2020
There’s concept on top of concept in this revival of Jason Robert Brown’s beloved 2001 musical, which charts the ebb and flow of a relationship by juggling timelines: aspiring actress Cathy’s story is told in reverse chronological order, while... Read more... |
Pretty Woman: The Musical, Piccadilly Theatre review - not so pretty, actuallyTuesday, 03 March 2020
It’s not so much that Pretty Woman: The Musical isn’t much good, which it isn’t. More to the point is that this West End replica of the recent Broadway musical of the 1990 film feels utterly superfluous: a gloss on a popular romcom that... Read more... |
The Prince of Egypt, Dominion Theatre review - Moses musical goes big and broadWednesday, 26 February 2020
The theatre gods rained down not fire and pestilence, but a 45-minute technical delay on opening night of this substantially revised musical – a stage adaptation of the 1998 DreamWorks animated movie. But nothing could entirely halt this juggernaut... Read more... |
Be More Chill, The Other Palace review - more exhausting than enlighteningMonday, 24 February 2020
This latest musical theatre exercise in “geek chic” has been an American phenomenon: a show propelled by social media that developed a rabid fan base taking it all the way to Broadway last year. And here Be More Chill now is in London at The Other... Read more... |
Rags: The Musical, Park Theatre review - a timely, if predictable, immigrant taleMonday, 20 January 2020
“Take our country back!” is the rallying cry of the self-identified “real” Americans gathered to protest the arrival of immigrants. It could be a contemporary Trump rally – or, indeed, the nastier side of current British political discourse – but in... Read more... |
Les Misérables, Sondheim Theatre review - join in our crusadeFriday, 17 January 2020
Do you hear the people sing? In recent months, you're more likely to have heard news stories about the longest running West End musical than the actual music. Stephen Sondheim – who celebrates his 90th birthday in March – missed the gala opening of... Read more... |
Celebrating the musicals of Jerry Herman (1931-2019)Friday, 03 January 2020
How is it that, in the nearly 900 pages of Sondheim's collected lyrics with extensive comments Finishing the Hat and Look, I Made a Hat, with numerous special boxes celebrating other composers and lyricists, he managed to mention Jerry Herman only... Read more... |
Girl From The North Country, Gielgud Theatre review – poignant collaboration between Conor McPherson and Bob DylanMonday, 23 December 2019
Despair hangs like mildew over the small iron-ore mining town of Duluth, Minnesota, where dreams go to die, and the living haunt the clapped-out buildings like lost souls. This poignant collaboration between playwright Conor McPherson and Bob Dylan... Read more... |
Cats review - feline freakinessThursday, 19 December 2019
Tom Hooper’s freakily phantasmagoric visualisation of an already strange West End smash is a high-wire act risking the sniggers which greeted its trailer. And yet it never falls, sustaining a subtly hallucinatory, wholly theatrical reality. Doubling... Read more... |
