tue 23/07/2024

National Film Theatre

Michael Powell interview - 'I had no idea that critics were so innocent'

Michael Powell fell in love with his celluloid mistress in 1921 when he was 16. It’s a love affair that he’s conducted for 65 years. At 81, he’s not stopped dreaming of getting behind the camera again. At Cannes this year he hinted at plans to make...

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Powell and Pressburger's 'The Red Shoes' - art and nothing but

Nobody ever forgets The Red Shoes (1948) because it’s a movie that seems to change the way an audience experiences cinema. A story about a diverse group of individuals collaborating to make art, the film is itself a wonderful example of the process....

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Orson Welles: The Great Disruptor

No-one could joke about the tragic aspect of Orson Welles’s career, the fact that his inestimable promise had only been partially realised, better than Welles himself. Once, when asked about the outrage following his panic-inducing radio adaptation...

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The Green Ray

French actress Marie Rivière had a specially close relationship with director Eric Rohmer. After seeing his work for the first time in the early 1970s, Rivière expressed her admiration in a letter, which led to a succession of parts and culminated...

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M

The newly restored, 111-minute cut of M is being screened 35 times during BFI Southbank's current Peter Lorre retrospective. One only has to see and hear Fritz Lang's first sound film once, however, to appreciate its undiminished power as a vision...

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LFF 2014: Programme Launch

A pair of Oscar hopefuls that take wildly divergent perspectives on World War II were confirmed today as the opening and closing night films of the 58th annual BFI London Film Festival, running 8-19 October at a range of venues across the capital....

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Some Like It Hot

In what is undoubtedly one of the earlier recorded examples of the single entendre, the original ad campaign for Some Like It Hot yelled “Marilyn Monroe and her Bosom Companions”. Well, the posters may not have minced words, but there’s more than a...

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Point Blank

It begins with two gunshots. Lee Marvin is a guy who just wants his $93,000. "I want my money" is the mission statement for Point Blank, a film that is as timelessly entertaining as it is influential. But putting it that way doesn’t grab the...

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Lawrence of Arabia

"When you're making a movie, it's a movie; if they're still talking about it in 10 years' time it's a film. If they're still talking about it in 50 years' time, it's cinema. But you sure as hell can't start out making cinema." Legendary studio head...

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The Hitchcock Players: Hume Cronyn, Shadow of a Doubt

Shadow of a Doubt was reputedly Hitchcock’s personal favourite among his films. Joseph Cotten was cast against type as the glamorous, homicidal uncle, fleeing from the police and pitching up unexpectedly in his sister’s household in a sleepy...

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The Hitchcock Players: Cary Grant, North by Northwest

The final collaboration between Grant and Hitch also happens to be some of the helmer’s most deft, joyously irreverent work, light of touch and bereft of sentiment. Grant stars as a slick Mad Ave exec who’s mistaken for a spy and pursued across the...

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BFI Southbank Preview: Made in Britain

If you’re game for a galling statistic, here’s one that’s guaranteed to stun: at present, only 14 per cent of British films released in the UK are directed by women. If that seems oddly as well as infuriatingly low, it’s probably because so many of...

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