OAE
A silver rose for Glyndebourne's 80thMonday, 10 March 2014
Der Rosenkavalier, Richard Strauss and Hugo von Hofmannsthal’s 1911 “comedy for music” about love, money and masquerading in a putative 18th-century Vienna, is a repertoire staple around the world. Continental houses throw it together without a... Read more... |
Classical CDs Weekly: Ramon Humet, Mozart, Ronald StevensonSaturday, 04 January 2014
Ramon Humet – Niwa - Chamber Works London Sinfonietta/Nicholas Collon (Neu Records)Ramon Humet's Four Zen Gardens opens this arresting compilation; nine short movements for three percussionists. A solitary rainstick adds a splash of aqueous colour... Read more... |
Christmas Oratorio, Trinity College Choir, OAE, Layton, St John's Smith SquareMonday, 23 December 2013
Not every Yuletide fixture need be commercial and routine. Certainly St John’s annual Christmas Festival packs them in, but why wouldn’t it when the voices for the last two events, backed up by no less than the Orchestra of the Age of Enlightenment... Read more... |
Fantasio, OAE, Elder, Royal Festival HallMonday, 16 December 2013
Readers who recall the 1872 Paris premiere of Offenbach’s Fantasio have had 141 years to wonder when its British debut would arrive. The long wait ended yesterday when Opera Rara, that valiant and necessary company dedicated to dusting off neglected... Read more... |
Prom 47: Orchestra of the Age of Enlightenment, AlsopMonday, 19 August 2013
In a couple of weeks Marin Alsop will become the first woman ever to conduct the Last Night of the Proms. Yesterday's programme of 19th century works by Brahms and Schumann, on the fifth of the eight Saturday nights of the season, thus had its Proms... Read more... |
Hippolyte et Aricie, Glyndebourne Festival OperaSunday, 30 June 2013
Jean-Philippe Rameau wrote Hippolyte et Aricie in 1733 at the age of 50. It was his first opera and his greatest. In its five acts, its visits to the woods of Diana, the groves of Venus, the fires of Pluto and the domestic meltdown in the house... Read more... |
Falstaff, Glyndebourne Festival OperaMonday, 20 May 2013
In this revival of Richard Jones's 2009 production, the action has been very effectively shifted to post-war Windsor with Sir John Falstaff (Laurent Naouri) as down-at-heel gentry maintaining delusions of superiority, rubbing up against an ascendant... Read more... |
Schiff, Orchestra of the Age of Enlightenment, Queen Elizabeth HallTuesday, 26 February 2013
You’d not expect Einstein to have daubed Amadeus’s Ninth Piano Concerto with the label “Mozart’s Eroica”. The really famous one didn’t : that piece of punditry came not from Albert the Great but Alfred the (musicologist) Lesser. Embarrassingly, the... Read more... |
Henri Oguike & OAE, Queen Elizabeth Hall / Richard Alston Dance Company, TouringSunday, 10 February 2013
Music is the food of dance - music as either an emotional language to speak back to, or an environment to set a mood or find associations in. The former is highly demanding, and Henri Oguike and Richard Alston are two who are clinging to the... Read more... |
Orchestra of the Age of Enlightenment, Rattle, Royal Festival HallWednesday, 30 January 2013
Period instruments demand absolute honesty from their players. Their sound is their personality - candid, quirky, eccentrically beautiful - but their soul is revealed in the spirit of the playing, where beauty is not skin deep and the expressiveness... Read more... |
Q&A Special: Conductor Sir Simon RattleWednesday, 30 January 2013
Sir Simon Rattle (b. 1955) and the Orchestra of the Age of Enlightenment (est. 1986) have been together from the beginning. Founded by period-instrument musicians eager to run their own affairs rather than play obediently for conductor-managers like... Read more... |
Barbican and Southbank 2013-14 seasons: still neck and neckTuesday, 22 January 2013
With the cuts still to bite deep, it's enterprising business as usual for both of London’s biggest concert-hall complexes and their satellite orchestras in the newly announced season to come. I use the word "complex" carefully, because as from... Read more... |
