painting
Fahrelnissa Zeid, Tate Modern review - rediscovering a forgotten geniusFriday, 16 June 2017
I can’t pretend to like the work of Fahrelnissa Zeid, but she was clearly an exceptional woman and deserves to be honoured with a retrospective. She led a privileged life that spanned most of the 20th century; born in Istanbul in 1901 into a... Read more... |
Canaletto & the Art of Venice, The Queen's Gallery - previewTuesday, 16 May 2017
Even today, the perception of Venice as a city only half-rooted in mundane reality owes a great deal to Canaletto (1697-1768), an artist who made his name producing paintings for English tourists visiting Italy in the 18th century. Recognisable... Read more... |
Giacomo Balla: Designing the Future, Estorick CollectionFriday, 07 April 2017
The wonderful Estorick collection, tucked away in Highbury Fields in London, is internationally renowned for its collection of modern Italian art, with a core of major Futurist works. Its new temporary exhibition focuses on one of these Futurist... Read more... |
Madonnas and Miracles: The Holy Home in Renaissance Italy, Fitzwilliam Museum, CambridgeTuesday, 14 March 2017
A lovely, scholarly and gently revelatory exhibition, Madonnas and Miracles explores a neglected area of the perennially popular and much-studied Italian Renaissance – the place of piety in the Renaissance home. We are used to admiring the great... Read more... |
Bruegel, Holburne Museum, BathSaturday, 11 March 2017
Painted in c.1640, David Teniers the Younger’s Boy Blowing Bubbles depicts a theme that would have been entirely familiar to his wife’s great-grandfather, the founder of one of art’s most illustrious dynasties, Pieter Bruegel the Elder (c.1525-1569... Read more... |
Vanessa Bell, Dulwich Picture GalleryTuesday, 28 February 2017
The Other Room, dating from the late 1930s, is the largest painting in Dulwich Picture Gallery's landmark retrospective, the first show to be dedicated to Vanessa Bell since a posthumous Arts Council show in 1964. In it, three women inhabit a space... Read more... |
America After the Fall, Royal AcademyThursday, 23 February 2017
It may be a cliché to say that this is a “timely” exhibition, but America After the Fall invites irresistible parallels with Trump’s America of today. The exhibition showcases American painting of the 1930s, documenting the intense anxiety... Read more... |
David Hockney, Tate BritainWednesday, 08 February 2017
As the UK prepares for a particularly severe cold snap, the opening of David Hockney’s major retrospective at Tate Britain brings a welcome burst of Los Angeles light and colour and Yorkshire wit and warmth. The exhibition, which opens in the lead-... Read more... |
Michael Andrews, Gagosian GalleryTuesday, 31 January 2017
Drifting, floating, running, crowding: all these feelings of movement and stasis apply in a mesmerising selection of scenes, imagined and observed over 40 years by a true original. Michael Andrews (1928-1995), born and brought up in Norwich, studied... Read more... |
War in the Sunshine, Estorick CollectionTuesday, 17 January 2017
North London’s much loved Estorick Collection is reopening its doors after a five-month spruce up. The Georgian listed building that houses a 120-piece collection of modern Italian art now boasts a new glass conservatory, opened out entrance hall... Read more... |
John Berger: the critic as artistTuesday, 03 January 2017
It’s hardly the lot of an art critic to be loved and admired, still less to speak to an audience that might reasonably be called “the public”. And how many will find their ideas still current 40 years on? All of these things can be said for John... Read more... |
Robert Rauschenberg, Tate ModernThursday, 08 December 2016
The Good American, a Texan no less, has landed at Tate Modern in style. This posthumous retrospective of the great Robert Rauschenberg includes a paint-bespattered, fully made-up bed hung vertically on the wall, and called – you guessed – Bed,1955 (... Read more... |
