thu 02/01/2025

piano

Classical CDs Weekly: Henrique Oswald, Saint-Saëns, Tilson Thomas, Smaro Gregoriadou

 Henrique Oswald: Piano Concerto, Saint-Saëns: Piano Concerto No. 5 Clélia Iruzun (piano), Royal Philharmonic Orchestra/Jac van Steen (Somm)You can never have enough of Saint-Saëns’ Piano Concerto No. 5, a piece tailor-made to soothe and...

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András Schiff, Wigmore Hall review – passion, reason and refinement

How loud can the applause from a scanty, socially-distanced audience sound? Thunderous enough, as the response to Sir András Schiff’s back-to-back recitals at the Wigmore Hall proved. On both Sunday and Monday evenings, the happy few of 112 – the...

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Bach’s The Art of Fugue, Angela Hewitt, Wigmore Hall – the many voices of humanity

How do they do it? Bach and Angela Hewitt, I mean, transfixing and focusing the audience in the Wigmore Hall – at home, too, hopefully, thanks to the livestreaming– through 13 and three-quarter fugues and four canons, all starting in the same key...

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Charles Owen, Fidelio Orchestra Café review - high-profile, robust romantics

Composer Gian-Carlo Menotti once asked rhetorically what society wanted of performing artists – “the bread of life or the after-dinner mint?” There were a couple of audience members last night – unique in my experience so far of the Fidelio...

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Louis Schwizgebel, Fidelio Orchestra Café review – gilt-edged postcards from around the world

A front-rank pianist only takes on Musorgsky’s Pictures at an Exhibition in full confidence of being able to handle the massive bells and blazing chants of its grand finale, “The Great Gate of Kiev”. To risk it in a far from large café space adds to...

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Pavel Kolesnikov, Fidelio Orchestra Café review – a Chopin cosmos

There is genius not only in the rainbow hues of Pavel Kolesnikov’s playing but also in the way his chosen programmes resonate. He’s given us interconnected wonders from across the centuries, but chose to focus on the greatest of composers for the...

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Album: Polly Scattergood - In This Moment

A decade ago, Polly Scattergood was Mute Records’ newest, most-likely-to signing and, while she never crossed over like similar unconventional female artists of the period (Bat For Lashes, St Vincent, Anna Calvi, etc), she has a developed a cult...

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The Last Five Years, The Other Palace Digital review - socially distanced heartbreak

A musical featuring two people who are physically separated? Jason Robert Brown’s work is a shutdown natural – as this new digital theatre version demonstrates. Lauren Samuels and Danny Becker, who play doomed lovers Cathy and Jamie, recorded their...

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Paul Lewis/Hyeyoon Park, Benjamin Grosvenor, Wigmore Hall online/BBC Radio 3 review - tranquil Schubert, fiery Franck

The Wigmore Hall’s triumphant series of lockdown lunchtime concerts by the finest of local recitalists is not without an audience; it’s just that the performers can’t see them. Conversely, online viewers can watch the artists closely enough to see...

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'This experience has revealed just how much I love music': pianist Paul Lewis on life in lockdown

As an instrumentalist, you can sit down and play music and escape from the stress. It’s a privilege to be able to do something that takes you to a different place – you’re removed from everything that’s happening. When you stop, there are reminders...

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Classical music/Opera direct to home 13 - piano marathons and string masterclasses

In an atmosphere of uncertainty created by a government desperate to boost the economy despite the COVID-19 infection rate not reducing significantly, some UK venues and organisations are moving responsibly towards some kind of new normality. The...

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'Artists' online rivalry feels stronger': pianist Joseph Moog on the difficulties of performing in lockdown

It can be found in any contract. Both artists, as well as promoters, are aware of it, but it used to be an exception so rare that only a few have ever experienced it: the clause of "force majeure". Now it is sadly commonplace in the world of the...

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