psychoanalysis
Next to Normal, Wyndham's Theatre review - rock musical on the trauma of mental illnessFriday, 05 July 2024
We open on one of those suburban American families we know so well from Eighties and Nineties sitcoms - they’re not quite Homer, Marge, Bart, Lisa and Maggie, but they’re not far off. As usual, we wonder how Americans have so much space, such big... Read more... |
Freud's Last Session review - Freud and CS Lewis search for meaning in 1939Wednesday, 19 June 2024
How can it be part of God’s plan to allow so much pain and suffering in the world, asks Sigmund Freud (Anthony Hopkins) of a young Oxford don, CS Lewis (Matthew Goode). His daughter Sophie died of the Spanish flu, his grandson, aged only five, of TB... Read more... |
Othello, Sam Wanamaker Playhouse review - 21st century interpretation delivers food for thoughtThursday, 08 February 2024
Detective Chief Inspector Othello leads a quasi-paramilitary team of Metropolitan Police officers investigating gang activity in Docklands. With a chequered past now behind him, he has reformed and has the respect of both the team he leads and his... Read more... |
Marie Darrieussecq: Sleepless review - in search of lost sleepThursday, 17 August 2023
“I lost sleep.” So begins Marie Darrieussecq’s elegantly fitful book, Sleepless, now perceptively translated into English by Penny Hueston. The sentence, suspended against the page’s whiteness, a clause unto itself, is simple, short, and... Read more... |
Duet for One, Orange Tree Theatre review - poignant two-hander gets an updated repriseMonday, 20 February 2023
This 1981 two-hander was opened out for a film in 1986, starring Julie Andrews no less, with all its offstage characters given screen life. Thankfully it has been shrunk back to its original dimensions, with added modern ornamentation for this... Read more... |
'I let it emerge': an interview with Fiona Benson on the cusp of the TS Eliot Prize announcementFriday, 20 January 2023
Fiona Benson’s new collection of poems, Ephemeron (Jonathan Cape, 2022), tries to capture those things that are always moving out of grasp. It does this through four sections: the first, “Insect Love Songs”, thrums with a lyric transience, zeroing-... Read more... |
The Wonderful World of Dissocia, Theatre Royal Stratford East review - wild trip gets a welcome revivalSaturday, 24 September 2022
Lisa has lost an hour in a (somewhat contrived) temporal glitch. As a consequence, her world is always sliding off-kilter, not quite making sense, things floating in and out of memory. A watchmaker (himself somewhat loosely tethered to reality)... Read more... |
First Person: Christina McMaster - seeking musical cures for modern malaiseSaturday, 28 May 2022
In 2020, during a gentle easing of lockdown restrictions, I was asked to play for the Culture Clinic sessions at Kings Place, a creative initiative where small groups of up to six people could book a ticket for a private, personally tailored... Read more... |
Shining City, Theatre Royal Stratford East review - occasional sluggishness alongside a true star turnMonday, 27 September 2021
When Brendan Coyle, playing a modestly magnetic widower and sales rep called John in this revival of Conor McPherson's 2004 play Shining City, first appears on stage, he looks thoroughly bewildered. His eyes dart back and forth as he initially... Read more... |
Sebastian Faulks: Snow Country review - insects under a stoneMonday, 20 September 2021
Historical fiction – perhaps all fiction – presents its authors with the problem of how to convey contextual information that is external to the plot but necessary to the reader’s understanding of it.Some authors supply an omniscient third-person... Read more... |
The Reason I Jump review - compelling and controversialFriday, 18 June 2021
Back in 2017, a non-speaking autistic teen, Naoki Higashida wrote and published The Reason I Jump. He hoped it would offer some insight into the minds of people with autism. The book was subsequently translated by Keiko Yoshida and her husband,... Read more... |
Shirley review - hothouse art film about American horror writerThursday, 29 October 2020
Shirley is one of those films that the mood you’re in when you watch it will dictate whether you think it’s a great psychological horror movie or overheated and pretentious. Go to the cinema wanting to be plunged into a fever dream of gothic... Read more... |
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