tue 26/11/2024

Rome

Blu-ray: Silent Action

Silent Action makes for a snappier title than the original La polizia accusa: il Servizio Segreto uccide, though the frenzied action in Sergio Martino’s 1975 thriller is anything but silent. The film opens with the grisly murders of three Italian...

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Blu-ray: Investigation of a Citizen Above Suspicion

Winner of the Academy Award for Best Foreign Language Film, Investigation of a Citizen Above Suspicion (Indagine su un cittadino al di sopra di ogni sospetto) is Italian filmmaker Elio Petri’s dark 1970s satire on state corruption. The...

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Blu-ray: The Night Porter

The Night Porter depicts the consuming sadomasochistic love affair of an SS officer, Max (Dirk Bogarde), and the Catholic woman, Lucia (Charlotte Rampling), whom he both tortures and protects when she is a teenage concentration camp inmate, and who...

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Classical CDs Weekly: Debussy, Respighi, The Red Book of Ossory

 Debussy: Images, Prélude à l'après-midi d'un faune Hallé/Sir Mark Elder (Hallé)That Debussy used the Geordie folksong The Keel Row in the first of his three Images for Orchestra is well known, and careful listening makes one realise that he...

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Matthew Kneale: Pilgrims review – adventures on the road to Rome

Some things really never change. After a blatant cheat perpetrated by a well-connected lout, one of the humblest pilgrims in Matthew Kneale’s band reminds us that “rich folks’ justice is a penny to pay, poor folks’ justice is dangling from a rope”....

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It’s True, It’s True, It’s True, Breach Theatre online review – a riveting watch

Artemisia Gentileschi has definitely had a hard time. Although she was an outstanding Renaissance painter in the style of Caravaggio, and the first woman to become a member of Florence’s Accademia di Arte del Disegno, her work was attributed to her...

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Agrippina, Royal Opera review - carry on up the Campidoglio

It was said of the Venetian audiences randy for the satirical antique of Handel's first great operatic cornucopia in 1709 that "a stranger who should have seen the manner in which they were affected, would have imagined they were all distracted"....

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Prom 59: Benvenuto Cellini, Monteverdi Choir, ORR, Gardiner review - don't stop the carnival

So we never got the ultimate Proms spectacular, the four brass bands at the points of the Albert Hall compass for Berlioz's Grande Messe des Morts, in the composer's 150th anniversary year. Yet Sir John Eliot Gardiner has learnt how to work the...

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Imperium, Gielgud Theatre review - eventful, very eventful, Roman epic

History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with cuts, the big new thing was “event theatre”, huge shows that amazed audiences because of their epic qualities and marathon slog. A good example is David...

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Tosca, Welsh National Opera review - ticking the traditionalist boxes

Opera-lovers: if you’ve finally had enough of the wheelchairs and syringes, the fifties skirts and heels, the mobile phones and the white box sets, and the rest of the symbolic paraphernalia of the right-on modern opera production, pop along to the...

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Titus Andronicus, RSC, Barbican review - blood will out

Live theatre, eh? It had to happen. On press night a sound of what seemed to be snoring (the production’s really not dull) revealed, in the Barbican stalls, a collapse. About an hour in, a huge amount of blood is smeared over Titus Andronicus’s...

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Antony and Cleopatra, RSC, Barbican review - rising grandeur

Is there a key to “infinite variety”? The challenge of Cleopatra is to convey the sheer fullness of the role, the sense that it defines, and is defined by only itself: there’s no saying that the glorious tragedy of the closing plays itself out, of...

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