sat 20/04/2024

satire

Living Newspaper, Edition 3, Royal Court online review – bleak news, sharp words

“The crocus of hope is, er, poking through the frost.” When he uttered that dodgy metaphor back in February, Boris Johnson probably didn’t predict that it would become the opening number of the third edition of Living Newspaper, the Royal Court’s...

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Berlinale 2021: Petite Maman review – magical musings on the parent-child relationship

Hot on the heels of her 2019 triumph Portrait of a Lady on Fire, Céline Sciamma’s fifth feature continues a perfect track record; this is yet another gorgeous and perceptive film, told from a determinedly female perspective but with a wisdom...

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Berlinale 2021: Bad Luck Banging or Loony Porn review – cheeky, timely and very provocative

The Romanian director Radu Jude invariably serves spicy satire that challenges his compatriots to face historical crimes and present failings. The latest is an erudite and daft, raunchy and knockabout, endlessly provocative film that, for sake of...

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Andrey Kurkov: Grey Bees review - light Ukrainian odyssey, with bite

This time, the Ukrainian author of Death and the Penguin, known for his brilliantly dark humour, has written a modern-day odyssey, with a return that is ambiguously hopeful. Grey Bees follows a year in the life of Sergey Sergeyich, a retired...

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Blu-ray: Ivansxtc

“Every cliché about Hollywood is true,” director Bernard Rose remarked in 2018, at the screening Q&A of the restored version of his 1999 Ivansxtc that appears as an extra on this Arrow release – and, post-#MeToo, the film’s satire of that milieu...

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Matthew Sperling: Viral review - whip-smart satire about the void at the heart of tech

Strange, that novels like this, which seem to have their finger on the pulse of the zeitgeist, already have a tinge of sepia about them. Set in a bustling east Berlin, this sharply plotted tale of start-up bliss and blunder, then bliss again, sees...

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Get Duked! review - briefly endearing, then a chore

An endearing cast does what it can to keep Get Duked! aloft until writer-director Ninian Doff's movie sinks under the weight of too many wearisome shifts in tone. A coming-of-age film that is alternately silly and sentimental while wanting at times...

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The Kemps: All True, BBC Two review - more self-promotion than self-mockery

The spoof “rockumentary” always sounds like a great idea, but it’s hard to pull off. Largely this is because rock stars are so divorced from reality that an element of self-parody is already built in, albeit unwittingly (“everybody’s so different, I...

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Maria Reva: Good Citizens Need Not Fear review - tales of gloomy humour and absurdist charm

Maria Reva’s humorously gloomy debut collection, centring on the inhabitants of a block of stuffy apartments in Soviet (and post-Soviet) Ukraine, starts, predictably enough, with Lenin. Instead of an austere symbol of ideology, he’s a statue who “...

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The Platform review - timely, violent and effective

Horror has always been a good vehicle for satire, from John Carpenter’s They Live to Jordan Peele’s Get Out. Some metaphors opt for the subtle precision of a surgical knife, and others the hit you over the head. The Platform on Netflix is the latter...

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Greed review - so-so satire of the über rich

Steve Coogan’s long partnership with director Michael Winterbottom is probably best known for The Trip and its spin-offs, involving Coogan’s comic culinary excursions alongside Rob Brydon. But for its serious undercurrents and disreputable...

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Parasite review - a class war with grand designs

With the Oscars approaching, one film building momentum in the fight for best picture – and whose victory would delight all but the most blinkered – is the Korean Bong Joon Ho’s deliriously dark and entertaining black comedy, Parasite. It...

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