wed 09/04/2025

Schubert

BBC Proms: Orchestre Philharmonique de Radio France, Chung/ Erben, Belcea Quartet

Violinist Corina Belcea-Fisher: 'Impeccable in technique and delivery'

The Father, the Son and the Holy Ghost materialised yesterday. And I'm not talking about the transcendental appearance of the Holy Trinity of News International. I'm talking Proms. Last night's two saw a geriatric performance of the Brahms double, a...

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Elisabeth Leonskaja, Wigmore Hall

Profound experience of 2010? For me, unquestionably, portions of the great Russian pianist Elisabeth Leonskaja's first-time journey through all the Schubert sonatas at the Verbier Festival. I was lucky to catch three out of nine recitals, and to...

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Classical CDs Weekly: Mahler, Schubert, Stravinsky

Thomas Zehetmair lays down his fiddle to conduct kindred spirits Schubert and Gál

A 20th-century Austrian symphony receives a memorable first recording, coupled with a witty, rarely played slice of Schubert. Mahler’s Resurrection Symphony is heard in a powerful reading recorded in the Royal Festival Hall. And we’ve an...

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110th Anniversary Gala 2, Wigmore Hall

Elgar in 1917, the year before he composed the Piano Quintet

Ghosts legendary and personal dog the nostalgic footsteps of Elgar's utterly characteristic late Piano Quintet - though who knew the old man had as much red blood in him as last night's world-class team managed to squeeze out? And circumstantial...

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Lang Lang, Royal Festival Hall

There must be at least 100 more interesting pianists in the concert world than Lang Lang, but perhaps he is just the best publicist around, because nothing else can explain why such a vacuous display as he gave last night at the Royal Festival Hall...

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Alexander Melnikov, Wigmore Hall

How important is it to hear “the composer’s intentions” at a concert? Maybe only the interpreter’s intentions are possible. The young Russian pianist Alexander Melnikov challenges the golden rule of faithfulness to source with the resources of today...

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Soloists of the Bavarian Radio Symphony Orchestra, Uchida, QEH

There is always a moment after you've mauled a musician in review when guilt bubbles to the surface. Your inner nursery school teacher (the little voice that thinks potato prints deserve Nobel Prizes) starts tugging at your conscience. This spell of...

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Paul Lewis, Wigmore Hall

Paul Lewis doesn't smile much. He came to the keyboard last night with his face tuned to his usual blank-to-grim setting for the first recital in his Schubert cycle at the Wigmore Hall: a serious man with serious business. If only I could take his...

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Berlin Philharmonic Orchestra, Rattle, Queen Elizabeth Hall

Anything anyone else can do, we can do better, seemed the mantra last night. It's probably a bit churlish to accuse the finest orchestra in the world of arrogance - surely that's their job? But the first night of the Berlin Philharmonic's four-...

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Leonidas Kavakos, Enrico Pace, Wigmore Hall

No doubt about it, Leonidas Kavakos is one of the world's top 10 live-wire violinists. But here in London he seems to have sold himself a bit short recently with a less than great concerto repertoire (Korngold, Szymanowski's Second). Korngold...

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theartsdesk Q&A: Pianist Elisabeth Leonskaja

Born in 1945 to Russian parents in Tbilisi, Georgia, Elisabeth Leonskaja gave her first major recital at the age of 11 and went on to study at the Moscow Conservatory, emigrating from the Soviet Union to Vienna in 1978 and making a sensational...

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100 Years of German Song, 1810-1910, Schade, Martineau, Wigmore Hall

As we take in news of the cuts that the arts will have to absorb, and wait for the Cassandras to start hollering, it's important to remind ourselves of one arts venue that won't be wiping one bead of sweat off its brow as a result of today's...

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