Tate Britain
Imagine... Rachel Whiteread: Ghosts in the Room, BBC Two review - making memories solidSunday, 03 December 2017
Eureka! A programme about a woman artist that doesn’t define her as a wife and mother first and an artist second. In fact, Rachel Whiteread’s husband and two sons were mentioned only briefly in this excellent documentary that followed her career... Read more... |
Impressionists in London, Tate Britain review - from the stodgy to the sublimeTuesday, 07 November 2017
Jules Dalou, Edouard Lantéri, Jean-Baptiste Carpeaux, Charles-François Daubigny, Alphonse Legros, Giuseppe de Nittis? Perhaps not household-name Impressionists, but the subtitle of Tate Britain's exhibition, French Artists in Exile 1870-1904, makes... Read more... |
Rachel Whiteread, Tate Britain review – exceptional beautyWednesday, 13 September 2017
The gallery walls of Tate Britain have been taken down so turning a warren of interlinking rooms into a large, uncluttered space in which Rachel Whiteread’s sculptures are arranged as a single installation. What a challenge! And curators Ann... Read more... |
Queer British Art 1861-1967, Tate BritainThursday, 20 April 2017
"Good for the history of music, but not for music," one of Prokofiev's professors at the St Petersburg Conservatoire used to say of artistically dubious works which created a splash, according to the composer's diaries. I'm not even sure that this... Read more... |
David Hockney, Tate BritainWednesday, 08 February 2017
As the UK prepares for a particularly severe cold snap, the opening of David Hockney’s major retrospective at Tate Britain brings a welcome burst of Los Angeles light and colour and Yorkshire wit and warmth. The exhibition, which opens in the lead-... Read more... |
Best of 2016: ArtThursday, 29 December 2016
Before we consign this miserable year to history, there are a few good bits to be salvaged; in fact, for the visual arts 2016 has been marked by renewal and regeneration, with a clutch of newish museum directors getting into their stride, and... Read more... |
Paul Nash, Tate BritainMonday, 31 October 2016
In Monster Field, 1938, fallen trees appear like the fossilised remains of giant creatures from prehistory. With great horse-like heads, and branches like a tangle of tentacles and legs, Paul Nash’s series of paintings and photographs serve as... Read more... |
Turner Prize 2016, Tate BritainThursday, 29 September 2016
While the Turner Prize shortlist can reasonably be expected to provide some sense of British art now, the extent to which British art can or should attempt to reflect a view of British life is surely a moot point. Art that is socially or politically... Read more... |
Bricks!, BBC FourWednesday, 21 September 2016
The wilder shores of contemporary visual art are now ephemeral or time-based: performance, installation, general carry-on and hubbub. But once upon a time – say, the 1960s – it was the nature of objects, pared down to essentials, and often made from... Read more... |
Painting with Light, Tate BritainThursday, 12 May 2016
Today we amuse ourselves with Facebook clips of talking cats, but in the 1850s they had stereographs, pairs of identical photographs that, viewed through special lenses, become suddenly and gloriously three-dimensional. Vistas open up as if by magic... Read more... |
Conceptual Art in Britain 1964-1979, Tate BritainSaturday, 16 April 2016
The exhibition starts promisingly. You can help yourself to an orange from Roelof Louw’s pyramid of golden fruit. Its a reminder that, for the conceptualists, art was a verb not a noun. Focusing on activity rather than outcome, these artists were... Read more... |
Generation Painting 1955-65, Heong Gallery, CambridgeTuesday, 09 February 2016
The individual colleges of the University of Cambridge can call, when needed, on an astonishing international network of alumni for expert advice, consultation and financial support. Such is the backing for an exquisite new public gallery on the... Read more... |
