WNO
Figaro Gets a Divorce, Welsh National OperaMonday, 22 February 2016
The third of Beaumarchais’s Figaro plays, La Mère coupable, is a very different affair from the other two, in that it records actual adultery and its disastrous consequences (including Cherubino’s death in battle), as opposed to the largely comic... Read more... |
The Marriage of Figaro, Welsh National OperaFriday, 19 February 2016
From the more or less inconsequential wit and bravura of The Barber of Seville to the profound comic psychology, social nuances and unparalleled musical genius of The Marriage of Figaro, and from the silly antics of Sam Brown’s Rossini to the style... Read more... |
The Barber of Seville, Welsh National OperaSunday, 14 February 2016
The latest themed season from WNO, to add to their fallen women, Donizetti queens and what not, goes by the slightly worrying title (for anyone with a short attention span) of “Figaro Forever”, and consists of an operatic sequence derived from... Read more... |
Best of 2015: OperaWednesday, 30 December 2015
How ironic that English National Opera turned out possibly the two best productions of the year after the Arts Council had done its grant-cutting worst, punishing the company simply, it seemed, for not being the irrationally preferred Royal Opera.... Read more... |
A Christmas Carol, Welsh National OperaSaturday, 19 December 2015
Dickens’s public readings from his novels were almost as famous and popular as the novels themselves. He would write special scripts that gave prominence to particular characters and that dramatized the salient events of each story; and of all these... Read more... |
Tosca, Wales Millennium CentreTuesday, 03 November 2015
There’s a good deal to be said for semi-staged opera. It concentrates the mind in a particular way; it brings the orchestra more fully into the action; it moves the singers closer to the audience; and above all it reduces – even removes – the power... Read more... |
Sweeney Todd, Welsh National OperaFriday, 09 October 2015
If nothing else, Stephen Sondheim’s best-known work will put you off pies; it will put you off barbers; and it may in the end put you off Sondheim. Popular though it seems to be with planners and programmers, it’s sluggish and heavy going as drama... Read more... |
Orlando, Welsh National OperaMonday, 28 September 2015
It’s almost impossible to imagine what a Handel opera performance can have been like in London in the 1730s, when Orlando first appeared. The audience came primarily to hear their favourite singers: and these must have been sensational, if not... Read more... |
I Puritani, Welsh National OperaSaturday, 12 September 2015
Whatever one may feel about Bellini’s music, it’s hard to think of him as in any sense a political composer. So you could almost hear the hearts hit the floor when the curtain went up – or rather was as usual already up – on the opening of Bellini’s... Read more... |
Listed: Essential Operas 2015-16Tuesday, 01 September 2015
September is upon us and it’s nearly time for the new season. English National Opera’s Artistic Director John Berry may have left the building but his enterprising legacy lives on in a 2015-16 season that looks on paper as good as any in the past 20... Read more... |
Pelléas et Mélisande, Welsh National OperaSaturday, 30 May 2015
Debussy completed only one opera (though he started plenty), but it’s the most perfect work imaginable, not only in sheer musical refinement and narrative precision, but in psychological penetration and above all in that exact grasp of the... Read more... |
Peter Pan, Welsh National OperaSunday, 17 May 2015
I must have been one of the few in Saturday’s audience for Richard Ayres’s new opera who had never seen Barrie’s play or read the book, so I’m unable to judge how faithfully it renders the original – in case that matters. Somehow one knows the... Read more... |
