We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…

Despite Proms appearances, I'm still not sure that Tom Fetherstonhaugh, mover and shaker of the young Fantasia Orchestra, has yet had quite…

The best thrillers have not one, but two twists. Often, there’s a predictable twist, and an unpredictable one. So it is with The Guilty,…

Elgar & Dvořák: Cello Concertos Alban Gerhardt (cello), WDR Sinfonieorchester/Andrew Manze (Hyperion) Image…

The “hiding in plain sight” technique has proved appallingly effective for a list of notorious sex offenders. When in doubt, get yourself a…

For factual footage from battle zones, we once used to rely on people toting heavy cameras who went in and out of the fields of war. The…

To experience a performance by Seattle’s ambient metal kings, Sunn O))) is not like attending a conventional rock’n’roll gig, by any means…

“Hull Suite” is an important work in the canon of British-Bengali pianist Zoe Rahman, because it evokes themes – voyage, migration and…

Hot from its successful run at the Old Vic, Carrie Cracknell’s Olivier-nominated revival of Tom Stoppard’s 1993 masterpiece has made a…

It’s a big ask of an audience to watch a film which for most of its two hour running time, focuses on just two actors, even when they are…