sun 02/02/2025

Heather Neill

Heather Neill's picture
Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

The Tempest, Theatre Royal, Drury Lane review - Sigourney Weaver's impassive Prospero inhabits an atmospheric, desolate world

Read more...

Twelfth Night, Orange Tree Theatre review - perfectly pitched sad and merry musical mayhem

Read more...

Juno and the Paycock, Gielgud Theatre review - a shockingly original centenary revival of O'Casey's tragi-comedy

Read more...

Being Mr Wickham, Jermyn Street Theatre review - the plausible, charming roué gives his version of events 30 years on

Read more...

Boys from the Blackstuff, National Theatre review - a lyrical, funny, affecting variation on a television classic

Read more...

Twelfth Night, Regent's Park Open Air Theatre review - burlesque overwhelms the darker notes in this mixed revival

Read more...

Underdog: the Other, Other Brontë, National Theatre review - enjoyably comic if caricatured sibling rivalry

Read more...

Red Pitch, @sohoplace review - the ebullient tale of teenage footballers gets a rollicking transfer

Read more...

The Enfield Haunting, Ambassadors Theatre review - muddled revisiting of famous paranormal events

Read more...

The Homecoming, Young Vic Theatre review - Pinter's disturbing masterpiece is given a low-key revival

Read more...

She Stoops to Conquer, Orange Tree Theatre review - much-loved classic rumbustiously updated

Read more...

Private Lives, Ambassador's Theatre review - classy revival lacking physical excess

Read more...

The Lehman Trilogy, Gillian Lynne Theatre review - a modern classic exuberantly revived

Read more...

As You Like It, @sohoplace review - music-filled, warm-hearted celebration

Read more...

Antigone, Regent's Park Open Air Theatre review - Sophocles rewritten with purpose and panache

Read more...

The Father and the Assassin, National Theatre review - Gandhi's killer puts his case in a bold, whirlwind production

Read more...

Pages

latest in today

Music Reissues Weekly: You Got Me Hooked! - More Marylebone...

After co-fronting Vinegar Joe with Robert Palmer, Elkie Brooks first charted as a solo artist in 1977 with “Pearl’s a Singer.” Yet there was more...

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Biss, BBCSO, Hrůša, Barbican review - electrifying Shostako...

At the end of an exhausting week in which Holocaust Memorial Day struck a more urgent note than ever as fascism started tearing through the USA,...

Paradise, Disney+ review - enigmatic drama with an unknown d...

The latest from the This Is Us creator,...

BBC Singers, Aurora Orchestra, Collon, Kings Place review -...

Just now, music about survival, transcendence and the afterlife may have a special resonance for the BBC Singers. After all, the supremely...

Album: Guided By Voices - Universe Room

Tireless rockers Guided By Voices confidently play with sound throughout Universe Room, their eighteenth album in 10 years. Experimental...

Hard Truths review - a bravura, hyperreal performance from M...

A colleague once told me that I shouldn’t take Mike Leigh’s films with contemporary settings as slices of everyday life. He was right: they’re...

Saturday Night review - a dizzying 90-minute trip to a landm...

“A countercultural sketch show full of unknowns, with no script, no structure.” The verdict of NBC’s head of talent about the embryonic...

Inside No 9: Stage Fright, Wyndham’s review - uneven fright-...

How excited Reece Shearsmith and Steve Pemberton must have been to learn that the venue for their Inside No 9 stage show was...