sat 26/07/2025

Heather Neill

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Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

Nye, National Theatre review - Michael Sheen's full-blooded Bevan returns to the Olivier

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In Praise of Love, Orange Tree Theatre review - subdued production of Rattigan's study of loving concealment

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The Tempest, Theatre Royal, Drury Lane review - Sigourney Weaver's impassive Prospero inhabits an atmospheric, desolate world

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Twelfth Night, Orange Tree Theatre review - perfectly pitched sad and merry musical mayhem

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Juno and the Paycock, Gielgud Theatre review - a shockingly original centenary revival of O'Casey's tragi-comedy

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Being Mr Wickham, Jermyn Street Theatre review - the plausible, charming roué gives his version of events 30 years on

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Boys from the Blackstuff, National Theatre review - a lyrical, funny, affecting variation on a television classic

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Twelfth Night, Regent's Park Open Air Theatre review - burlesque overwhelms the darker notes in this mixed revival

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Underdog: the Other, Other Brontë, National Theatre review - enjoyably comic if caricatured sibling rivalry

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Red Pitch, @sohoplace review - the ebullient tale of teenage footballers gets a rollicking transfer

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The Enfield Haunting, Ambassadors Theatre review - muddled revisiting of famous paranormal events

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The Homecoming, Young Vic Theatre review - Pinter's disturbing masterpiece is given a low-key revival

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She Stoops to Conquer, Orange Tree Theatre review - much-loved classic rumbustiously updated

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Private Lives, Ambassador's Theatre review - classy revival lacking physical excess

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The Lehman Trilogy, Gillian Lynne Theatre review - a modern classic exuberantly revived

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As You Like It, @sohoplace review - music-filled, warm-hearted celebration

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Eddie Pepitone, Special review - return of the curmudgeon

There aren’t many comics like Eddie Pepitone any more – the veteran comic’s shtick harks to back an earlier age, pre-suitable for TV...

Album: Indigo de Souza - Precipice

Indigo de Souza, a singer from North Carolina, has established some reputation, mostly in the States, for combining...

Dying review - they fuck you up, your mum and dad

Despite the title of Matthias Glasner’s award-winning drama, and the death that swirls around its characters, dying isn’t really its subject, but...

Album: Mádé Kuti - Chapter 1: Where Does Happiness Come From...

There can be few musicians on the planet from a more storied musical dynasty than Mádé Kuti. He is the son of Femi, the grandson of Fela. He grew...

theartsdesk Q&A: director Athina Rachel Tsangari on her...

Over a decade ago, a handful of Greek filmmakers set out to reinvent the national cinema amid the country's social and economic decline...

The Human League/Marc Almond/Toyah, Brighton Beach review -...

Today gradually blossoms from unpromising beginnings. LouderUK’s On The Beach event series takes place throughout the summer and runs the gamut...

A Moon for the Misbegotten, Almeida Theatre review - Michael...

Michael Shannon's long legs reach to the stars – or perhaps one should say the moon – in the Almeida's...

Album: Alice Cooper - The Revenge of Alice Cooper

Great (and not so great) bands reforming, either in the studio or in the live arena, is something of a trend at the moment. However, who would...