We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…

Rambert is celebrating its first 100 years with a triple bill that emphasises the youthful vitality of the company. “We’re 100, and we’re…

The finale of the Royal Ballet’s 2025-26 programming is an extraordinary sight. At the curtain call for Salle de danse, a world premiere…

Anybody who relished the blistering family rows of Bad Jews or Admissions might be surprised by what their author, Joshua Harmon, wrote…

I just don’t get it. Jon Batiste, deservedly, has a huge career as pianist, composer, inspirer. The prospect of his forthcoming extended…

In the world of contemporary classical music, it takes confidence to launch your seasonal programme with an 18-year-old performer, and no…

Berlioz's intended companion for his Symphonie fantastique was Lélio, or the Return to Life - an assemblage of mostly magical earlier…

“Enola Gay” is perfect pop, the ultimate party-uplift banger. It’s that rare song which only seems to grow better as the years, then…

This beguiling “semi-staged” performance of Mahler’s First Symphony is the latest attempt in a growing movement to interrogate the…

As I started to write this review, I found that Tucker Zimmerman died in January this year. This was news to me, sad news, made worse by…