Sheila Johnston
Bio
Sheila worked on the launch of the Independent, where she was a writer-editor and film critic for 10 years. She has written on cinema for the Daily Telegraph and Sunday Telegraph, The Times, Sight and Sound, Guardian, Libération, Interview and New York Daily News, among other places.
Articles By Sheila Johnston
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Fake, ITV1 review - be careful what you wish for
The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series....
Pimpinone, Royal Opera in the Linbury Theatre review - farce...
Full marks to the Royal Opera for good planning: one first night knocking us all sideways with the darkest German operatic tragedy followed by...
Krapp's Last Tape, Barbican review - playing with the l...
In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly...
Formula E: Driver, Prime Video review - inside the world...
The success of Netflix’s Drive to Survive not only provoked a viewer-stampede towards the world’s most expensive sport, but also...
Do Ho Suh: Walk the House, Tate Modern review - memories are...
A traditional Korean house has appeared at Tate Modern....
Die Walküre, Royal Opera review - total music drama
Wagner’s universe, in the second of his Ring operas which brings semi-humans on board to challenge the gods, matches exaltation and misery, terror...
Georgia Mancio, Alan Broadbent, Pizza Express Dean Street re...
Does it spark joy? Yes, definitely...and maybe we music critics should ask the Marie Kondo question more often. London-based vocalist/lyricist...
The Extraordinary Miss Flower review - odd mashup of music,...
The makers of The Extraordinary Miss Flower are billing it as a “performance film”, a subspecies of the concert-movie...