sheila.johnston
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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
UK prog-rockers Gracious! acquired their exclamation mark when their first album was released in July 1970. Up to this point, they were…
When, in late 2021, I heard the UK premiere of Sir James MacMillan’s Christmas Oratorio, it truly felt like a heaven-sent gift of musical…
Whether there really was a poisonous professional rivalry between Mozart and Antonio Salieri, composer to the Imperial court in Vienna,…
Avril Coleridge-Taylor: Piano Concerto & Orchestral Works BBC Philharmonic Orchestra/John Andrews, Samantha Ege (piano) (Resonus…
“The wonderful Mirra exists in its own space.” Back in August, that was the conclusion of my review of Benedicte Maurseth’s then-new album…
Eugene Jarecki’s forensic investigation concludes that Julian Assange’s character flaws are dwarfed by the high crimes he exposed, and can’…
There were moments during the starry, two-evening Beare’s Chamber Music Festival when the quality of the playing reached such heights, it…
JB Priestley’s glorious pot shot at marital complacency in pre-First World War Bradford proves to be a tonic at a time of year where, for…
The third of James Cameron’s world-building epics arrives 16 years after the first one, but only three after number two, Avatar: The Way of…