Joe Muggs
Bio

Joe writes about culture for the likes of The Guardian, Bandcamp Daily, WIRE Magazine and Disco Pogo, specialising in electronic music, subculture in general, and the anything-but-grey areas where genres and media dissolve into one another. He is the author of Bass, Mids, Tops: an Oral History of Soundsystem Culture with photographer Brian David Stevens, Crosstown Rebels 20 Years of Madness, Magic & Music, and fabric - the 25th anniversary history of the legendary London nightclub - and his ongoing series of longform interviews, with more portraits by Stevens, can be found on BassMidsTopsandtheRest.

latest in today

We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
It's nearly eight years since Kåre Conradi first appeared at the Coronet in a revelatory, visceral Norwegian production of Ibsen's Little…
When the debut album by ex-Little Mix star Leigh-Anne Pinnock starts, the omens are good. The opener, “Look into My Eyes”, is an electro-…
Although the Beaches may hail from Toronto, they evidently have more Scottish connections than many bands that come this way. Drummer Eliza…
In his mesmerising 2023 novel Brian, Jeremy Cooper told the story of a reclusive middle-aged council worker who is rescued from loneliness…
When the protagonist of If I Had Legs I'd Kick You hears herself described as "stretchable, like putty”, her whole body stiffens in protest…
Is this person dead? It’s a wise question to ask yourself when reading George Saunders. In his Booker Prize-winning Lincoln in the Bardo,…
Saul has lately been occupied by opera. Lauded versions, above all Barrie Kosky’s recently-revived smash for Glyndebourne, have claimed…
Millennial icon Hilary Duff has released her first album in over a decade, and for an artist whose music career always felt more like an…
To watch Cynthia Erivo delivering her stunning, technically complex one-woman performance of Dracula is not unlike watching a top athlete…