mon 21/07/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Mrs America, BBC Two review - how a conservative revolutionary scuppered the Equal Rights Amendment

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The Choir: Singing for Britain Finale, BBC Two review - stirring songs from a garden shed

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The Battle of Britain, Channel 5 review - 80th anniversary of the RAF's finest hour

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The Kemps: All True, BBC Two review - more self-promotion than self-mockery

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Penny Dreadful: City of Angels, Sky Atlantic review - the good, the bad and the unspeakable

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Das Boot, Series 2 Finale, Sky Atlantic review - deeper and darker

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The Hidden Wilds of the Motorway, BBC Four review - mysteries and marvels of the M25

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The Choir: Singing for Britain, BBC Two review - the pandemic versus the power of song

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Roswell, New Mexico, ITV2 review - they've landed!

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Perry Mason, Sky Atlantic review - low life and hard times in Depression-era LA

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The Salisbury Poisonings, BBC One review - the Cold War comes to Wiltshire

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A House Through Time, Series Finale, BBC Two review - timely series reaches uneven conclusion

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Das Boot, Series 2, Sky Atlantic review - multi-layered war drama goes from strength to strength

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Little Fires Everywhere, Amazon Prime review - in every dream home a heartache

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A Very British Hotel Chain: Inside Best Western, Series Finale, Channel 4 review - let's hear it for Alasdair the hotel inspector

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Shutdown: The Virus That Changed Our World, Sky Documentaries review - a chaotic response and an uncertain future

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'We are bowled over!' Thank you for your messages... ...
Bookish, U&Alibi review - sleuthing and skulduggery in a...

As a sometime writer of Poirot, Sherlock and Christmas ghost stories,...

Album: Spafford Campbell - Tomorrow Held

Guitarist Louis Campbell and fiddle player Owen Spafford started playing together as teenagers in the National Youth Folk Ensemble when Sam...

The Estate, National Theatre review - hugely entertaining, b...

The first rule for brown people, says the main character – played by BAFTA-winner Adeel Akhtar – in this highly entertaining dramedy, is not to...

Music Reissues Weekly: Mike Taylor - Pendulum, Trio

Wheels of Fire was Cream’s third album. Issued in the US in June 1968 and in the UK two months later, it was a double LP. One record was...

The Ballad of Suzanne Césaire review - a mysterious silence

A glamorous black woman sits in a Forties bar under a Vichy cop’s gaze, cigarette tilted at an angle, till two male companions join her in...

Youssou N'Dour and Super Étoile de Dakar, Roundhouse re...

There is a freshness about a show by Youssou N’Dour that never seems to lose its glow. He still has one of the great voices of Africa, a versatile...

BBC Proms: First Night, Batiashvili, BBCSO, Oramo review - g...

The auditorium and arena were packed – and the stage even more so, bursting at the seams with players and singers: the perfect set-up for a First...

Album: Bonnie Dobson & The Hanging Stars - Dreams

What a great album – and what a great story to lift the heart in these fetid times. A story that crosses oceans and decades and brings together a...

Harvest review - blood, barley and adaptation

Lovers of a particular novel, when it’s adapted as a movie, often want book and movie to fit together as a hand in a glove. You want it to be like...