wed 21/05/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Little Fires Everywhere, Amazon Prime review - in every dream home a heartache

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A Very British Hotel Chain: Inside Best Western, Series Finale, Channel 4 review - let's hear it for Alasdair the hotel inspector

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Shutdown: The Virus That Changed Our World, Sky Documentaries review - a chaotic response and an uncertain future

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Philharmonia, Channel 4 review - death on the podium

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Unprecedented, BBC Four review - perspectives on the pandemic

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A House Through Time, Series 3, BBC Two review - Bristol under the microscope

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Defending Jacob, Apple TV+ review - does murder run in the family?

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A Very British Hotel Chain: Inside Best Western, Channel 4 review - requiem for the hospitality industry?

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Harry's Heroes: Euro Having a Laugh, ITV review - jokey documentary delivers painful emotional truths

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Unbreakable Kimmy Schmidt: Kimmy vs The Reverend, Netflix review - bold, but only a partial success

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I Know This Much Is True, Sky Atlantic review - riding a carousel of catastrophe

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The Last Kingdom, Season 4, Netflix review - blood, guts and dirty politics

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Rob and Romesh vs Ballet, Sky 1 review - unlikely lads throw themselves in as bait

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The A Word, Series 3, BBC One review - Christopher Eccleston steals the show

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Blood, Series 2, Channel 5 review - expertly-crafted thriller turns the screw

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Paul Hollywood Eats Japan, Channel 4 review - Mr Bake Off gets culture shock

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Code of Silence, ITVX review - inventively presented reality...

In the guided tour of Britain’s cathedral cities that is the primetime TV...

Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall r...

With French baroque opera all but banished from the UK’s major...

Album: Stereolab - Instant Holograms on Metal Film

Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...

The Fifth Step, Soho Place review - wickedly funny two-hande...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Mr Swallow: Show Pony, Richmond Theatre review - magic trick...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

The Great Escape Festival 2025, Brighton review - a feast of...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...