wed 21/05/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

All Creatures Great and Small, Channel 5 review - revival of vintage vet show is full of Yorkshire promise

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Our World: Colombia - Saving Eden, BBC Two review - the war is over, but can they save the rainforests?

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The Truth about Cosmetic Treatments, BBC One review - pain, but not much gain?

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The Unbelievable Story of Carl Beech, BBC Two review - a stomach-turning swamp of lies and incompetence

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Manctopia: Billion Pound Property Boom, BBC Two review - winners and losers as Manchester becomes Manc-hattan

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Spree review - a wild ride through social media madness

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Cuba: Castro vs the World, BBC Two - turbulent life and times of El Comandante

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The Deceived, Channel 5 review - who's fooling who?

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Little Birds, Sky Atlantic review - decadence and intrigue in 1950s Morocco

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The Talk, Channel 4 review - coping with the legacy of racism

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Unhinged review - road-rage Russ goes gonzo

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Prodigal Son, Sky 1 review - meet Michael Sheen, psycho killer

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Our Baby: A Modern Miracle, Channel 4 review - trailblazing couple's amazing journey

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Laurel Canyon, Sky Documentaries review - musical bliss in lotus land

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Piranhas review - riding with the teenage gangs of Naples

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The Real Eastenders, Channel 4 review - timewarp on the Thames

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Code of Silence, ITVX review - inventively presented reality...

In the guided tour of Britain’s cathedral cities that is the primetime TV...

Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall r...

With French baroque opera all but banished from the UK’s major...

Album: Stereolab - Instant Holograms on Metal Film

Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...

The Fifth Step, Soho Place review - wickedly funny two-hande...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Mr Swallow: Show Pony, Richmond Theatre review - magic trick...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

The Great Escape Festival 2025, Brighton review - a feast of...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...