wed 21/05/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Ozark, Series 3 review, Netflix - money-laundering saga hits new heights

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The Trip to Greece, Series Finale, Sky 1 review - bittersweet swansong for the cantankerous comrades

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Pen15, Sky Comedy review - the horror of adolescent schooldays revisited

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Batwoman, E4 review - can Bruce Wayne's female cousin fill his bat-costume?

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Our Girl, Series 5, BBC One review - where soap and warfare collide

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Comedy Against Living Miserably, Dave review - standups tread the boards for CALM charity

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The English Game, Netflix review - it's the toffs versus the workers in this version of sporting history

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The Art Mysteries, BBC Four review - secrets and symbols of Van Gogh's famous self-portrait

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Penance, Channel 5 review - lust, disgust and mistrust in Kate O'Riordan's thrilller

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Belgravia, ITV review - when the toffs and the nouveaux riches collided

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The Test: A New Era for Australia's Team, Amazon Prime review - how ball-tampering scandal forced a cricket revolution

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Five Guys a Week, Channel 4 review - lemming-like contestants make spectacles of themselves

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Formula 1: Drive to Survive, Netflix review - thrilling documentary series wreaks havoc in the paddock

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Beauty Laid Bare, BBC One review - a facial peel for the cosmetics business

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Escape from Pretoria review - fun but facile prison-break drama

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The Trip to Greece, Sky 1 review - jokes, jibes and indigestion in the footsteps of Odysseus

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Code of Silence, ITVX review - inventively presented reality...

In the guided tour of Britain’s cathedral cities that is the primetime TV...

Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall r...

With French baroque opera all but banished from the UK’s major...

Album: Stereolab - Instant Holograms on Metal Film

Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...

The Fifth Step, Soho Place review - wickedly funny two-hande...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Mr Swallow: Show Pony, Richmond Theatre review - magic trick...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

The Great Escape Festival 2025, Brighton review - a feast of...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...