sat 19/07/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Line of Duty, Series 6, Episode 6, BBC One review - the pace accelerates for AC-12's final countdown

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Mare of Easttown, Sky Atlantic review - Kate Winslet shines in finely-drawn Pennsylvania mystery

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Promising Young Woman, Sky Cinema review - Emerald Fennell's brilliant directorial debut

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Bent Coppers: Crossing the Line of Duty, BBC Two review - when crime paid handsomely for corrupt officers

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Too Close, ITV review - capable cast struggles with unrewarding material

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Sound of Metal review - hidden depths behind the decibels

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Intruder, Channel 5 review - implausible but watchable

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Queen Elizabeth and the Spy in the Palace, Channel 4 review - how the Fourth Man burrowed deep into the British Establishment

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Keeping Faith, Series 3, BBC One review - is the drama turning to melodrama?

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Line of Duty, Series 6, BBC One review - fasten your seatbelts, it's back

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Drive to Survive, Season 3, Netflix review - the agony and the ecstasy of the 2020 F1 campaign

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The One, Netflix review - the downside of scientific matchmaking

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Grace, ITV review - sun, sea and skulduggery in sunny Brighton

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Unforgotten, Series 4, ITV review - is the familiar formula wearing thin?

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The Terror, BBC Two review - nightmare in the Arctic wastes

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Your Honor, Sky Atlantic review - Bryan Cranston suffers fear and loathing in New Orleans

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'We are bowled over!' Thank you for your messages... ...
BBC Proms: First Night, Batiashvili, BBCSO, Oramo review - g...

The auditorium and arena were packed – and the stage even more so, bursting at the seams with players and singers: the perfect set-up for a First...

Album: Bonnie Dobson & The Hanging Stars - Dreams

What a great album – and what a great story to lift the heart in these fetid times. A story that crosses oceans and decades and brings together a...

Harvest review - blood, barley and adaptation

Lovers of a particular novel, when it’s adapted as a movie, often want book and movie to fit together as a hand in a glove. You want it to be like...

Poor Clare, Orange Tree Theatre review - saints cajole us si...

What am I, a philosophical if not political Marxist whose hero is Antonio Gramsci, doing in Harvey Nichols buying Comme des Garçons...

Album: Alex Warren - You'll Be Alright, Kid

The best-selling single so far this year in the UK is ...

That Bastard, Puccini!, Park Theatre review - inventive comi...

Before Luigi Illica wrote the libretti for Puccini’s Tosca and Madama Butterfly, he had joined the composer as the...

Hamlet, Buxton International Festival review - how to re-ima...

Ambroise Thomas’s version of Hamlet is the flagship production of this year’s Buxton International Festival and was always going to be a...

Friendship review - toxic buddy alert

The frenetic brand of humour that Tim Robinson brings to Friendship comes from a long lineage. There have...

Album: Slikback - Attrition

In the eternal now of the strobe-lit sweatbox, innovation functions in a different way to the rest of culture. Yes of course, the thrill of the...