fri 10/10/2025

aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

latest in today

'We are bowled over!' Thank you for your messages... ...
Troilus and Cressida, Globe Theatre review - a 'problem...

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National...

London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

I Swear review - taking stock of Tourette's

People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for...

Clarkston, Trafalgar Theatre review - two lads on a road to...

If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in...

Album: Boz Scaggs - Detour

Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standard and a few other choice...

Carmen, English National Opera review - not quite dangerous

“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if...

Ghost Stories, Peacock Theatre review - spirited staging but...

In the framing device, a professor (Jonathan Guy Lewis) stands at a lectern and asks if anyone has had a supernatural experience....

Emily A. Sprague realises a Japanese dream on 'Cloud Ti...

The history of experimental musicians from Europe and North America adopting Japanese aesthetics is … patchy. It got especially dodgy in the 1990s...

R:Evolution, English National Ballet, Sadler's Wells re...

As the new season opens, confidence is high at ENB, just as it...