fri 29/03/2024

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Prom 43: Endgame, BBC Scottish SO, Ryan Wigglesworth review - beautiful sounds but slow, slow drama

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Tony Williams: Cole the Magnificent - fantastical tale blends myth, poetry and comedy

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theartsdesk at the Voces8 Summer School - musical oasis offers opportunities for all

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Prom 27: Wang, Hampson, BBC Symphony Orchestra, Mäkelä review - glittering night with music’s golden couple

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Prom 17: CBSO, CBSO Chorus, Yamada review - Carmina Burana presses all the right buttons

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Fiona Maddocks: Goodbye Russia - Rachmaninoff in Exile review - an affectionate biographical portrait

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Hahn, Kaleidoscope Chamber Collective, Wigmore Hall review - Americana old and new

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Estonian National Male Voice Choir, Üleoja, Kings Place review - full-throated Baltic choral music

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Bercken, Britten Sinfonia, Milton Court review - beleaguered ensemble shows its value

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Gagarin Quartets, Modulus String Quartet, Brunel Museum review - a multimedia journey into space

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National Youth Choir, Royal Albert Hall review – a spectacular jubilee

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Facade Ensemble, Collins Rice, St Margaret Pattens Church review - meditation and reflection

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Things to Come, LSO, Strobel, Barbican review - blissful visions of the future

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Nonclassical: The Greenhouse Effect, Barbican Conservatory review - enjoyable freestyle happening

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LPO, Adès, RFH review - tempests and infernos

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Benjamin, Jaya-Ratnam, Harper, Milton Court review - black musicians take centre stage

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Bach's Easter Oratorio, OAE, Whelan, QEH review – the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...