mon 19/05/2025

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Simon Trpčeski and Friends, Wigmore Hall online review – chamber music classics old and new

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Kopatchinskaja, Namoradze, Budapest Festival Orchestra, Fischer, RFH review – a Stravinsky feast

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Path of Miracles, Elysian Singers, St Pancras Church review – an ambitious musical pilgrimage

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Voces8 Live from London Christmas online review – seasonal favourites and new discoveries

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Solomon's Knot, Wigmore Hall review - festive music for uncertain times

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The Sixteen, Christophers, Cadogan Hall review - polished and impeccable but slightly sedate

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Colin Currie Group, RFH review - Reich premiere explores fresh territory

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Clements Prize, Conway Hall review - newly-written string trios in competition

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Two-Piano Gala, Kings Place review - five pianists, two pianos, too many pieces

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Black British Musical Theatre 1900-1950, Wigmore Hall review – a disappointing missed opportunity

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First Person: theartsdesk writer Bernard Hughes on composing for the BBC Proms

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Esfahani, Gibson, Manchester Collective, BBC Proms review – variety, but not always in proportion

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Voces8 Live from London Summer online review - choral excellence and more besides

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BBCNOW, Bancroft, BBC Proms review – American music from across the spectrum

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Never to Forget, Spitalfields Festival review – moving musical tributes to lost care and health workers

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Royal Northern Sinfonia, Sage Gateshead online review – a grab bag of players’ favourites

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Ballet to Broadway: Wheeldon Works, Royal Ballet review - th...

Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...

Album: Robert Forster - Strawberries

“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however,...

Music Reissues Weekly: Chapterhouse - White House Demos

Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...

Songlines Encounters, Kings Place review - West African and...

Songlines Encounters is your round-the-world ticket to great...

The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin G...

The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as...

The Brightening Air, Old Vic review - Chekhov jostles Conor...

It's one thing to be indebted to a playwright, as Tom Stoppard and Harold Pinter have been at different times to Beckett, or Sondheim's latest...

Magic Farm review - numpties from the Nineties

There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...