thu 18/04/2024

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Dorian Lynskey: Everything Must Go review - it's the end of the world as we know it

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Elmore String Quartet, Kings Place review - impressive playing from an emerging group

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St Matthew Passion, Academy of Ancient Music, Cummings, Barbican review - moving and humble

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Our Mother, Stone Nest review - musical drama in a mother's grief

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Colin Currie Quartet, Wigmore Hall review - toccatas for triangles and teacups

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Malofeev, BBCSO, Lintu, Barbican review - finesse as well as fireworks

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Paraorchestra, Hazlewood, Southbank Centre review - re-thinking the orchestral experience

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Brian Klaas: Fluke review - why things happen, and can we stop them?

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Siglo de Oro, Spinacino Consort, Allies, Wigmore Hall review - a fun 17th century musical Christmas

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Voces8 Foundation Choir and Orchestra, Smith, Voces8 Centre review - joyous Christmas music by Bach

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Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - chamber music supergroup in perfect accord

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Accentus, Insula orchestra, Equilbey, Barbican review - radiant French choral masterpieces

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Ben Folds, Royal Albert Hall review - piano pyrotechnics and modern musings

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Justin Lewis: Don't Stop the Music - A History of Pop Music, One Day at a Time review - deft and delightful pop almanac

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Capuçon, Philharmonia, Bancroft, RFH review - enjoyable all-American classics

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Adam Sisman: The Secret Life of John le Carré review - tinker, tailor, soldier, cheat

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latest in today

Lisa Kaltenegger: Alien Earths: Planet Hunting in the Cosmos...

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

The Book of Clarence, review - larky jaunt through biblical...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

First Persons: composers Colin Alexander and Héloïse Werner...

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...

Album: Paraorchestra with Brett Anderson and Charles Hazlewo...

Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...

The Comeuppance, Almeida Theatre review - remembering high-s...

I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American...