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Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Siglo de Oro, Wigmore Hall review - electronic Lamentations and Trojan tragedy

Saturday, 05 July 2025 Read more...

Marwood, Crabb, Wigmore Hall review - tangos, laments and an ascending lark

Tuesday, 27 May 2025 Read more...

Josefowicz, LSO, Mälkki, Barbican review - two old favourites and one new one

Tuesday, 20 May 2025 Read more...

Stile Antico, Wigmore Hall review - a glorious birthday celebration

Tuesday, 13 May 2025 Read more...

Donohoe, RPO, Brabbins, Cadogan Hall review - rarely heard British piano concerto

Thursday, 17 April 2025 Read more...

London Choral Sinfonia, Waldron, Smith Square Hall review - contemporary choral classics alongside an ambitious premiere

Wednesday, 16 April 2025 Read more...

Ridout, 12 Ensemble, Wigmore Hall review - brilliant Britten and bombastic Brahms

Thursday, 27 February 2025 Read more...

Jessica Duchen: Myra Hess - National Treasure review - well-told life of a pioneering musician

Tuesday, 25 February 2025 Read more...

RAM Song Circle, Wigmore Hall review - excellent young musicians lift the spirits

Monday, 27 January 2025 Read more...

Album: Ben Folds - Sleigher

Wednesday, 11 December 2024 Read more...

Christmas with Connaught Brass, Milton Court review - delightful seasonal fare from Bach to Boulanger

Monday, 09 December 2024 Read more...

Mailley-Smith, Piccadilly Sinfonietta, St Mary-le-Strand review - music in a resurgent venue

Saturday, 09 November 2024 Read more...

Jonathan Coe: The Proof of My Innocence review - a whodunnit with a difference

Tuesday, 29 October 2024 Read more...

The Orchestral Forest, Smith Square Hall review - living the orchestra from the inside

Saturday, 26 October 2024 Read more...

Kaleidoscope Chamber Collective, Wigmore Hall review - warm and colourful Bartók and Brahms

Saturday, 19 October 2024 Read more...

Blond Eckbert, English Touring Opera review - dark deeds afoot in the woods

Monday, 07 October 2024 Read more...

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'We are bowled over!' Thank you for your messages... ...
Falstaff, Glyndebourne review - knockabout and nostalgia in...

From the animatronic cat on the bar of the Garter Inn to the rowers’ crew who haul their craft across the stage and the military ranks of “Dig for...

Salome, LSO, Pappano, Barbican review - a partnership in a m...

A Salome without the head of John the Baptist is nothing new: several directors have perversely decided they could do without in recent...

Till the Stars Come Down, Theatre Royal Haymarket review - a...

The 2024 play at the National...

Too Much, Netflix - a romcom that's oversexed, and over...

A thirtysomething American woman with wavering self-confidence, a tendency to talk too much and a longing for married bliss with Mr...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

Album: Kokoroko - Tuff Times Never Last

This second album from London-based septet Kokoroko welcomes you into its warm embrace with the gorgeous, beatific vocal harmonies of “Never Lost...

Music Reissues Weekly: Beggars Arkive - Gary Numan's 19...

Tubeway Army’s “Are ‘Friends’ Electric” hit the top of the UK single’s chart in the last week of June 1979. It stayed there for four weeks. Its...

The Other Way Around review - teasing Spanish study of a bre...

Can a romcom be intellectually...

Album: Wet Leg - moisturizer

War, pestilence, famine, death. I don’t know about you, but I’ve had my fill of them all. So what better time to visit the genuinely sunny uplands...