wed 18/09/2024

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

theartsdesk Q&A: conductor Dalia Stasevska on her new album of contemporary orchestral music

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Prom 44, Shani, Rotterdam Philharmonic review - impressive multi-tasking by conductor-pianist

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Prom 36, McGill, BBCSSO, New review - summery Shakespearean mummery

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Prom 32, Gillam, BBCNOW, Venditti review - belated debuts and a dancing delight

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Prom 26, Feldmann, BBC Philharmonic, Bihlmaier review - two warhorses and a femmage

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NMC Recordings at 35, Dutch Church, London review - a fitting celebration

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Goldscheider, Royal Orchestral Society, Miller, SJSS review - fine horn playing from the very best

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Hugo Rifkind: Rabbits review - 31 wild parties and a funeral

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St Martin's Voices, Earis, St Martin-in-the-Fields review - music from the beginning

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Sphinx Organization, Wigmore Hall review - black performers and composers take centre stage

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Kolesnikov, Wigmore Hall review - celestial navigation through a cabinet of wonders

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Dunedin Consort, Mulroy, Wigmore Hall review - songs of love old and new

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Jonn Elledge: A History of the World in 47 Borders review - a view from the boundaries

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Dorian Lynskey: Everything Must Go review - it's the end of the world as we know it

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Elmore String Quartet, Kings Place review - impressive playing from an emerging group

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St Matthew Passion, Academy of Ancient Music, Cummings, Barbican review - moving and humble

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Here comes the flood: Bob Dylan's 1974 Live Recordings

Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half...

Donohoe, Roscoe, Stoller Hall, Manchester review - two great...

A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest...

Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...

My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...

Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...

A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...