sat 23/06/2018

Bernard Hughes

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Bio
Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

The Courtesan’s Gaze, Fieri Consort, Handel House review – historical female composers in context

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Ligeti Chamber Music, QEH review - inventive celebration of iconic composer

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Anna Meredith, Southbank Sinfonia, QEH review - triumphant genre-busting treat

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Donohoe, LPO, Orozco-Estrada, RFH review – wit aplenty in rare Stravinsky

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Sonoro, Ferris, St Botolph-without-Bishopsgate review - intriguingly programmed launch concert

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Coates, Tenebrae, Short, Kings Place review - effective meeting of cello and choir

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Labèques, Aurora Orchestra, Collon, Kings Place review - good-natured Schubert and Mozart delight

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Marnie, English National Opera review – hyped new opera doesn’t hit the heights

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Total Immersion: Julian Anderson, Barbican review - BBC ensembles showcase leading British composer

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Angela Hewitt, Wigmore Hall review – Bach Partitas shine and sing

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Tetzlaff, LSO, Rattle, Barbican review - a triumphant homecoming for the maestro

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Die Zauberflöte, Royal Opera review – enjoyable revival of much loved production

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Prom 24 review: Crebassa, Philharmonia, Salonen – thrilling performance of Adams masterpiece

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Prom 22 review: Pygmalion, Pichon – theatrical take on Monteverdi's Vespers

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Prom 13 review: Rana, BBCSO, Davis – Malcolm Sargent tribute lacks punch

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Prom 1 review: Levit, BBCSO, Gardner - fizzing Adams finally ignites mixed First Night

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latest in today

CD: Let's Eat Grandma - I'm All Ears

Norwich is remote, out near the Norfolk Broads, doing its own thing on Britain’s eastern-most edge. It’s not renowned as a place that’s...

theartsdesk at Glastonbury Festival 2018

Daft Punk! Kendrick Lamar! The Kinks! Yes! We blew the lid off!

What? No! There IS no...

The Town Hall Affair, The Wooster Group, Barbican review - e...

Iconoclasm, orgasms, and rampant rhetoric are all on irrepressible display in...

The Path to Heaven, RNCM, Manchester review - tragedy, truth...

Adam Gorb’s The Path to Heaven, with libretto by Ben Kaye, is his longest work to date (almost two hours’ running time without interval)...

Finishing the Picture, Finborough Theatre review - projectio...

In the early 20th century, Soviet filmmaker Lev Kuleshov spliced together images of people looking at things with a bowl of soup, a woman on a...

DVD/Blu-ray: Let the Sunshine In

Un beau soleil intérieur, the film’s ...

Kiss Me, Kate, Opera North, London Coliseum review - Cole Po...

First palpable hit of the evening: a full orchestra in the pit under hyper-alert...

theartsdesk on Vinyl 40: Talking Heads, Ornette Coleman, Cra...

Earlier this year, in May, Brighton hosted the Vinyl World Congress where Paul Pacifico, head of the Association of Independent Music, told the...

In The Fade review - twisty German courtroom drama

The Cannes jury in 2017 gave best actress to Diane Kruger for her performance in In the Fade. She plays Katja, who turns avenging angel...