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Bernard Hughes

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Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Path of Miracles, Elysian Singers, St Pancras Church review – an ambitious musical pilgrimage

Monday, 07 February 2022 Read more...

Voces8 Live from London Christmas online review – seasonal favourites and new discoveries

Sunday, 26 December 2021 Read more...

Solomon's Knot, Wigmore Hall review - festive music for uncertain times

Tuesday, 21 December 2021 Read more...

The Sixteen, Christophers, Cadogan Hall review - polished and impeccable but slightly sedate

Thursday, 16 December 2021 Read more...

Colin Currie Group, RFH review - Reich premiere explores fresh territory

Wednesday, 20 October 2021 Read more...

Clements Prize, Conway Hall review - newly-written string trios in competition

Monday, 18 October 2021 Read more...

Two-Piano Gala, Kings Place review - five pianists, two pianos, too many pieces

Monday, 11 October 2021 Read more...

Black British Musical Theatre 1900-1950, Wigmore Hall review – a disappointing missed opportunity

Wednesday, 22 September 2021 Read more...

First Person: theartsdesk writer Bernard Hughes on composing for the BBC Proms

Thursday, 19 August 2021 Read more...

Esfahani, Gibson, Manchester Collective, BBC Proms review – variety, but not always in proportion

Wednesday, 18 August 2021 Read more...

Voces8 Live from London Summer online review - choral excellence and more besides

Tuesday, 17 August 2021 Read more...

BBCNOW, Bancroft, BBC Proms review – American music from across the spectrum

Monday, 09 August 2021 Read more...

Never to Forget, Spitalfields Festival review – moving musical tributes to lost care and health workers

Friday, 02 July 2021 Read more...

Royal Northern Sinfonia, Sage Gateshead online review – a grab bag of players’ favourites

Saturday, 15 May 2021 Read more...

Coote, Philharmonia, Gardiner, Southbank Centre online review - English masterworks

Saturday, 08 May 2021 Read more...

Booth, Nash Ensemble, Wigmore Hall online review - contemporary music programme lacks diversity

Wednesday, 28 April 2021 Read more...

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Back in 2003, when Mick Herron was a humble sub-editor, his...

The Railway Children, Glyndebourne review - right train, wro...

If the distance from Festen to The Railway Children looks like a long stretch of track, remember that Mark-Anthony Turnage’s...

Robin Holloway: Music's Odyssey review - lessons in com...

Robin Holloway is a composer and, until his retirement in 2011, don at Cambridge, where he taught many of the leading British composers of the...

Classical CDs: Wolf-pelts, clowns and social realism

 

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'Everybody Scream': Florence + The Machine's...

If you were looking for the most perfectly brooding autumnal album this year, Florence Welch and her Machine may have been one...

Wendy & Peter Pan, Barbican Theatre review - mixed bag o...

On paper, this RSC revival of Ella Hickson’s 2013 adaptation sounds just the ticket: a feminist spin on the familiar JM Barrie story,...

Bugonia review - Yorgos Lanthimos on aliens, bees and conspi...

“How can you tell she’s an alien?” asks Don (Aidan Delbis, an impressive neuro-divergent actor) of his cousin Teddy (the excellent Jesse Plemons...

Cat Burns finds 'How to Be Human' but maybe not he...

Twenty-five-year-old South Londoner and current Celebrity Traitors contestant Cat Burns is a charming performer....

Todd Rundgren, London Palladium review - bold, soul-inclined...

The first words are spoken after “Worldwide Epiphany,” the 20th song. “Thank you” is all Todd Rundgren says. With this, the set ends.

It...