fri 29/03/2024

Javi Fedrick

Articles By Javi Fedrick

CD: IDLES - Joy as an Act of Resistance

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CD: Interpol - Marauder

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CD: Breathe Panel - Breathe Panel

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Preoccupations, The Haunt, Brighton review - energetic set struggles to win over audience

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Courtney Barnett, Albert Hall, Manchester review - mesmerising indie-rock set

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Unknown Mortal Orchestra/Deerhunter, Albert Hall, Manchester review – New Zealanders and friends create festival vibe

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Pinkshinyultrablast, Band on the Wall, Manchester - glitch-pop madness from Russia’s finest

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CD: Gaz Coombes - World's Strongest Man

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CD: Eels - The Deconstruction

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Kendrick Lamar, Manchester Arena review - Kung-Fu Kenny sets the stage alight

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CD: The Go! Team - Semicircle

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Albums of the Year 2017: Idles - Brutalism

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Depeche Mode, Manchester Arena review - synth-pop gurus raise the spirits of thousands

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Protomartyr, Deaf Institute, Manchester review - post-punkers shake the room

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CD: Angel Olsen - Phases

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CD: Baxter Dury - Prince of Tears

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Annie Jacobsen: Nuclear War: A Scenario review - on the inco...

"[A]n unimaginably beautiful day": this was how Kikue Shiota described the morning of the 6th of August, 1945, in Hiroshima. The day was soon to...

The Dream of a Ridiculous Man, Marylebone Theatre review - f...

Like all great literature, Fyodor Dostoevsky’s final, eccentric, playfully wondrous short story seems to have been written just for us – across...

Bach's Easter Oratorio, OAE, Whelan, QEH review - the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...