fri 05/09/2025

Jenny Gilbert

Articles By Jenny Gilbert

The Midnight Bell, Sadler's Wells review - a first reprise for one of Matthew Bourne's most compelling shows to date

Read more...

Ballet to Broadway: Wheeldon Works, Royal Ballet review - the impressive range and reach of Christopher Wheeldon's craft

Read more...

The Forsythe Programme, English National Ballet review - brains, beauty and bravura

Read more...

Sad Book, Hackney Empire review - What we feel, what we show, and the many ways we deal with sadness

Read more...

Romeo and Juliet, Royal Ballet review - Shakespeare without the words, with music to die for

Read more...

Phaedra + Minotaur, Royal Ballet and Opera, Linbury Theatre review - a double dose of Greek myth

Read more...

Onegin, Royal Ballet review - a poignant lesson about the perils of youth

Read more...

Best of 2024: Dance

Read more...

Nutcracker, English National Ballet, Coliseum review - Tchaikovsky and his sweet tooth rule supreme

Read more...

Akram Khan, GIGENIS, Sadler’s Wells review - now 50, Khan returns to his roots

Read more...

Pina Bausch’s The Rite of Spring/common ground[s], Sadler’s Wells review - raw and devastating

Read more...

Legacy, Linbury Theatre review - an exceptional display of black dance prowess

Read more...

National Ballet of Canada, Sadler's Wells review - see this, and know what dance can do

Read more...

Alice's Adventures in Wonderland, Royal Ballet review - big, bold and ultimately brash

Read more...

Resurgence, London City Ballet, Sadler’s Wells review - the phoenix rises yet again

Read more...

The Mad Hatter's Tea Party, ZooNation, Linbury Theatre review - a joyous celebration of differentness

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Album: David Byrne - Who is the Sky?

From his early days with Talking Heads, David Byrne has ploughed a highly individual furrow, and exploited a persona that combines naivety with...

Laura Benanti: Nobody Cares, Underbelly Boulevard Soho revie...

Laura Benanti has been enchanting Broadway audiences for several decades now, and London has this week been let in on the secret that recently...

The Paper, Sky Max review - a spinoff of the US Office worth...

Fans of the US version of The Office may wonder what happened to the assorted oddballs of Dunder Mifflin, proud creators of...

Edinburgh Psych Fest 2025 review - eclectic and experimental

Now in its third year, Edinburgh Psych Fest returned to multiple venues in the old town and the city’s southside for 2025; namely Summerhall,...

The Pitchfork Disney, King's Head Theatre review - blaz...

Ever wondered if there was one moment when in-yer-face theatre started? Well, yes there was; there was one play that kicked off that whole 1990s...

Supersonic Festival 2025, Birmingham review - a deep dive in...

The annual Supersonic Festival is a major jewel in ...

Album: Faithless - Champion Sound

Although they haven’t had a hit single in almost 20 years, Faithless remain a potent commercial force, continuing to rack up festival headline...

The Guest, BBC One review - be careful what you wish for

Why isn’t Eve Myles a superstar? Though well known for her appearances in the likes of Torchwood, Broadchurch and the brilliant...

Born with Teeth, Wyndham's Theatre review - electric sp...

The title refers to a line in Henry VI, Part III: the future Richard III boasts that midwives cried, "Oh Jesus bless us, he is born with...