sat 19/09/2020

Jenny Gilbert

Articles By Jenny Gilbert

Dancing at Dusk: A Moment with Pina Bausch’s 'The Rite of Spring' review - an explosive African rite

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Notes on a no-show - Nico Muhly

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Richard Alston Dance Company, Final Edition, Sadler's Wells review - farewell and thank you, Sir Richard

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Isadora Now, Barbican Theatre review - a little piece of history

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Alina, Sadler's Wells review - I think therefore I dance

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Message in a Bottle, Peacock Theatre review - a hiphop singalong

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The Cellist/Dances at a Gathering, Royal Ballet review - A grand love affair with a cello

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Bluebeard, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - bleak but ground-breaking

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Michael Keegan-Dolan, MÁM, Sadler's Wells review - folk goes radical

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'She was revolutionary': Tanztheater Wuppertal's new director on the legacy of Pina Bausch

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Resolution 2020, The Place review - new dance for a new decade

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Le Corsaire, London Coliseum review - hugely entertaining

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Best of 2019: Dance

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The Red Shoes, Sadler's Wells review - the ultimate stage movie

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Radio & Juliet/Faun/McGregor + Mugler, London Coliseum review - a fashion faux pas

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Svetlana Zakharova, Modanse, London Coliseum review - impeccably chic but soul-less

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latest in today

Picnic at the Castle review - entertaining mixed bill

Of all the outdoor spaces being utilised to keep live performance going in this maddest of years, Warwick Castle is surely among the most striking...

Nocturnal review - an impossible love

The most painterly and ominous sequence in Nocturnal naturally occurs at night. Until recently strangers, 33-year-old Pete (Cosmo Jarvis...

Album: Alicia Keys - Alicia

Alicia Keys is a puzzling mixture. On the one hand she’s the hyper-achieving, multi-platinum, 752-Grammy-winning...

Rocks review - impressively well-crafted neo-realist drama

Rocks is a beautifully made slice of neo-realist filmmaking which deserves to get a wide audience but may well slip off the radar in the...

GogolFest:Dream review - the best music festival of the summ...

GogolFest:Dream in Kherson, somewhere near the Crimea in...

Igor Levit, Wigmore Hall/Hill Quartet, Bandstand Chamber Fes...

An early hero of lockdown, livestreaming from his Berlin home in terrible sound at first, Igor Levit is a supreme example of how adaptable...

The Devil All The Time review – a test of faith in a Souther...

Theres no denying the Faulknerian ambition to the construction of Anthony Camposlatest feature Devil All the Time...

Eavesdropping on Rattle, the LSO and Bartók’s Bluebeard

One source of advance information told us to expect a reduced version of...

Album: Fish - Weltschmerz

"This party's over" snarls Fish on Weltschmerz, and, this time, it seems the big man really means...

Alban Gerhardt, Markus Becker, Wigmore Hall review - long sh...

It wouldn’t be true to say I’d forgotten what a solo cello in a...