sun 28/09/2025

Jenny Gilbert

Articles By Jenny Gilbert

iD-Reloaded, Cirque Éloize, Marlowe Theatre, Canterbury review - attitude, energy and invention

Read more...

How to be a Dancer in 72,000 Easy Lessons, Teaċ Daṁsa review - a riveting account of a life in dance

Read more...

A Single Man, Linbury Theatre review - an anatomy of melancholy, with breaks in the clouds

Read more...

The Midnight Bell, Sadler's Wells review - a first reprise for one of Matthew Bourne's most compelling shows to date

Read more...

Ballet to Broadway: Wheeldon Works, Royal Ballet review - the impressive range and reach of Christopher Wheeldon's craft

Read more...

The Forsythe Programme, English National Ballet review - brains, beauty and bravura

Read more...

Sad Book, Hackney Empire review - What we feel, what we show, and the many ways we deal with sadness

Read more...

Romeo and Juliet, Royal Ballet review - Shakespeare without the words, with music to die for

Read more...

Phaedra + Minotaur, Royal Ballet and Opera, Linbury Theatre review - a double dose of Greek myth

Read more...

Onegin, Royal Ballet review - a poignant lesson about the perils of youth

Read more...

Best of 2024: Dance

Read more...

Nutcracker, English National Ballet, Coliseum review - Tchaikovsky and his sweet tooth rule supreme

Read more...

Akram Khan, GIGENIS, Sadler’s Wells review - now 50, Khan returns to his roots

Read more...

Pina Bausch’s The Rite of Spring/common ground[s], Sadler’s Wells review - raw and devastating

Read more...

Legacy, Linbury Theatre review - an exceptional display of black dance prowess

Read more...

National Ballet of Canada, Sadler's Wells review - see this, and know what dance can do

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: The Peanut Butter Conspiracy - The Mo...

“It's a Happening Thing,” January 1967’s debut single from...

Goldscheider, Brother Tree Sound, Kings Place review - music...

Last night’s concert at Kings Place was a programme of...

The Billionaire Inside Your Head, Hampstead Theatre review -...

What would it be like to be driven by OCD urges into idolising Elon Musk and aspiring to be one of his tribe of tech bros? In his debut...

theartsdesk Q&A: composer Donghoon Shin on his new conce...

Donghoon Shin has a taste for the esoteric – a love of labyrinths, literary puzzles, and contradictory aspects of the self. One of his favourite...

Doja Cat's 'Vie' starts well but soon tails o...

Doja Cat is a fascinating one-off. She’s a rap-centric...

Lacrima, Barbican review - riveting, lucid examination of th...

So often the focus – in the coverage of a royal wedding – is the story of the woman wearing the bridal dress. While every...

Joanna Pocock: Greyhound review - on the road again

Joanna Pocock’s second full-length book, Greyhound, tells the story of a single journey made and remade. In 2006, after the death of her...

Entertaining Mr Sloane, Young Vic review - funny, flawed but...

Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw...

Helleur-Simcock, Hallé, Wong, Bridgewater Hall, Manchester r...

Rachel Helleur-Simcock’s first appearance with the Hallé after appointment as leader of its cello section was auspicious – she became the soloist...