sun 20/05/2018

Jenny Gilbert

Articles By Jenny Gilbert

Elizabeth, Barbican review - royal romance under scrutiny

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Unbound: A Festival of New Works, War Memorial Opera House, San Francisco review - ballet invests in its future

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Describe the Night, Hampstead Theatre review - epic take on the mythology of Putin

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Obsidian Tear / Marguerite and Armand / Elite Syncopations, Royal Opera House review - an evening of high-performance mismatch

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Richard Alston, Mid Century Modern, Sadler's Wells review - a master choreographer clocks up 50 years

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The Plough and the Stars, Lyric Hammersmith review - trenchant reimagining of Irish classic

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Returning to Haifa, Finborough Theatre review - a bumpy journey into the Arab-Israeli past

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Macbeth, Wilton's Music Hall review - incisive and thrilling dance theatre

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Mary Stuart, Duke of York's Theatre review - superb teamwork from Juliet Stevenson and Lia Williams in Schiller's thriller

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Cinderella, Sadler's Wells review - Matthew Bourne puts Cinderella through the Blitz

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Misalliance, Orange Tree Theatre review - smashing Edwardian comedy is a festive treat

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The Nutcracker, Royal Ballet review - superb start to the festive dance season

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Poison, Orange Tree Theatre review - study of grief is both courageous and subtle

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Triple Bill, Royal Ballet review - Arthur Pita's 'Wind' is a howling success

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Kenneth MacMillan: A National Celebration, Programmes 2 & 3, Royal Opera House review - abhorrent to sublime

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Michael Clark Company, Barbican Theatre review - bad boy of dance comes good

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latest in today

William Trevor: Last Stories review - final intimations

An Irishman who spent more than half a century in London and then Devon, and a prolific writer – nearly 20...

Madama Butterfly, Glyndebourne review - perverse staging, ou...

Puccini’s heroines and the rough treatment he hands out to them have come in for plenty of opprobrium over the years. But just occasionally they...

On Chesil Beach review - perfect playing in poignant Ian McE...

Ian McEwan has said that he decided to adapt his 2007 novel On Chesil Beach for the...

Reissue CDs Weekly: African Scream Contest 2

African Scream Contest 2 opens with a burst of distorted guitar suggesting a parallel-world response to The Chambers...

Clancy Sigal: The London Lover review - a merry prankster...

To readers of newspapers and magazines, the name Clancy Sigal will be very familiar, probably as a film reviewer. Addicted to...

Robbie Thomson XFRMR, Brighton Festival review - lightning s...

The welcome to Glasgow audio-visual artist Robbie Thomson’s...

CD: Caroline Rose - Loner

Loner’s opening track “More of the Same” lyrically tracks being at a party where “everyone’s well dressed with a perfect body and they...

An Audience with Dame Cleo Laine, RFH review - a phenomenon...

Yes, she sang, with her trademark artistry from the very first notes – four numbers, including a duet with daughter Jacqui Dankworth, and all in...

Highlights from Photo London 2018 - something old, something...

Photo London seems much better this year, mainly because I am at last able to find my way around the labyrinthine Somerset House without getting...