thu 29/05/2025

Jenny Gilbert

Articles By Jenny Gilbert

Light of Passage, Royal Ballet review - a new full-evening work by Crystal Pite is eloquent and moving

Read more...

Mayerling, Royal Ballet review - a masterpiece of storytelling, darkly gripping

Read more...

The Rite of Spring, Pina Bausch/École des Sables, Sadler's Wells review - explosive and disturbing

Read more...

Like Water for Chocolate, Royal Ballet review - confusing and ill-conceived

Read more...

Carmen, Queen Elizabeth Hall review - a flawed but fascinating retread

Read more...

Dance for Ukraine, London Coliseum, online review - a gala to remember

Read more...

The Weathering/Solo Echo/DGV, Royal Ballet review - the dancer as chameleon

Read more...

Dance (1979), Lyon Opera Ballet, Sadler's Wells review - luminous minimalism

Read more...

Swan Lake, Royal Ballet review - a magnificent revival

Read more...

Acosta Danza, Sadler's Wells review - here comes the sun

Read more...

Kontakthof, Tanztheater Wuppertal Pina Bausch review - struggling to make contact

Read more...

Raymonda, English National Ballet, Coliseum review - a creaky old standard, lavishly restored to health

Read more...

Best of 2021: Dance

Read more...

Starstruck, Scottish Ballet review - smart, sassy and cinematic

Read more...

The Danish Collector: Delacroix to Gauguin review - fabulous art, not sure about the framing

Read more...

Past Present, Linbury Theatre review - historic, but very much alive

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Flying Dutchman, Opera Holland Park review - into the st...

Thankfully, Julia Burbach’s version of The Flying Dutchman for Opera Holland Park doesn’t try to be one of those concept-laden...

The Frogs, Southwark Playhouse review - great songs save upd...

As a regular theatregoer, you learn pretty quickly that there’s no story too bizarre to work as a...

Album: Sally Shapiro - Ready to Live a Lie

Ready to Live a Lie is so sonically vaporous it almost isn’t there. While the album’s 11 tracks draw from continental European musical...

Il Trittico, Opéra de Paris review - reordered Puccini works...

So here in Paris, as at Salzburg in 2022, it’s no longer “Puccini’s Trittico” but “the Asmik Grigorian Trittico”. Which would be...

When the Light Breaks review - only lovers left alive

Grief takes unexpected turns over the course of a long Icelandic...

Marwood, Crabb, Wigmore Hall review - tangos, laments and an...

James Crabb is a musical magician, taking the ever-unfashionable accordion into new and unlikely places, through bespoke arrangements of a...