mon 28/11/2022

Jenny Gilbert

Articles By Jenny Gilbert

The Sleeping Beauty, London Coliseum review - a triumph for English National Ballet

Read more...

Tartuffe, Theatre Royal Haymarket review - dual-language production loses its way

Read more...

Elizabeth, Barbican review - royal romance under scrutiny

Read more...

Unbound: A Festival of New Works, War Memorial Opera House, San Francisco review - ballet invests in its future

Read more...

Describe the Night, Hampstead Theatre review - epic take on the mythology of Putin

Read more...

Obsidian Tear / Marguerite and Armand / Elite Syncopations, Royal Opera House review - an evening of high-performance mismatch

Read more...

Richard Alston, Mid Century Modern, Sadler's Wells review - a master choreographer clocks up 50 years

Read more...

The Plough and the Stars, Lyric Hammersmith review - trenchant reimagining of Irish classic

Read more...

Returning to Haifa, Finborough Theatre review - a bumpy journey into the Arab-Israeli past

Read more...

Macbeth, Wilton's Music Hall review - incisive and thrilling dance theatre

Read more...

Mary Stuart, Duke of York's Theatre review - superb teamwork from Juliet Stevenson and Lia Williams in Schiller's thriller

Read more...

Cinderella, Sadler's Wells review - Matthew Bourne puts Cinderella through the Blitz

Read more...

Misalliance, Orange Tree Theatre review - smashing Edwardian comedy is a festive treat

Read more...

The Nutcracker, Royal Ballet review - superb start to the festive dance season

Read more...

Poison, Orange Tree Theatre review - study of grief is both courageous and subtle

Read more...

Triple Bill, Royal Ballet review - Arthur Pita's 'Wind' is a howling success

Read more...

Pages

latest in today

An open letter from Dame Sarah Connolly and colleagues to Ar...

The decision of Arts Council England to withdraw funding from the...

Matilda the Musical review - a dizzying, smartly subversive...

I bow to no one in my affection for Matilda the Musical onstage, which I've loved across multiple iterations, from Stratford-upon-Avon to...

Baghdaddy, Royal Court review - Middle-Eastern magic realism

What is the best way of talking about the Middle East? Should plays take a documentary or verbatim approach, all the better to educate and inform...

A Child of Our Time, LPO, Gardner, RFH review - the spirit s...

Half a century ago, Michael Tippett’s A Child of our Time felt inescapable. For a youth-choir singer in the London of that period, his...

Album: Stormzy - This Is What I Mean

“All of this music, it’s nothing to do with the listener,” Stormzy announced to Louis Theroux in a recent TV interview. “All I can do is feel what...

Glass Onion: A Knives Out Mystery review - grand, class-cons...

Rian Johnson’s Knives Out sequel is an even more brightly entertaining puzzle picture, revelling in the old-fashioned glamour of enviably...

Mary Gauthier, Union Chapel review - a living room concert i...

Mary Gauthier’s first tour in more than three years landed at London’s Union Chapel on Saturday, concluding with another sold-out gig. The venue...

Music Reissues Weekly: Love - Expressions Tell Everything

Any reminder of the greatness of Love is welcome, and Expressions Tell Everything does this in fine style. A box set, it...

It’s a Wonderful Life, English National Opera review - Capra...

Looking for a sparkly operatic musical, well sung and played, slick and saturated in a range of mainstream styles that stop short in the year the...

Bones and All review - eat, don't heat

You expect gross-out movies to send your hands flying in front of your eyes...