Jillian Edelstein
Bio
Jillian photographed the Truth and Reconciliation Commission in South Africa for the New York Times and many other stories for The New Yorker, Vogue and Vanity Fair among others. Her portraits were recently exhibited at the National Portrait Gallery.
Articles By Jillian Edelstein
latest in today
Reissue CDs Weekly: John Coltrane - Giant Steps
Giant Steps doesn’t suffer from a lack of availability. A couple of weeks ago, two editions of...
Bill & Ted Face the Music review - modestly delightful
Beavis and Butthead’s vicious grunge-era gormlessness remains interred, Wayne and Garth (and their...
Fidelio, Garsington Opera review - heart of darkness, light-...
It may be only six and a half months since many of us saw a production of...
Picnic at the Castle review - entertaining mixed bill
Of all the outdoor spaces being utilised to keep live performance going in this maddest of years, Warwick Castle is surely among the most striking...
Hendrix and the Spook review - a search for clarity in murky...
September 18th is the 50th anniversary of Jimi Hendrix’s death, an appropriate moment to release Hendrix and the Spook, a...
Album: This Dream of You – Diana Krall
“Produced by Tommy LiPuma.” That phrase has appeared on just about every Diana Krall album since the summer of 1995, when the Cleveland-born mogul...
Nocturnal review - an impossible love
The most painterly and ominous sequence in Nocturnal naturally occurs at night. Until recently strangers, 33-year-old Pete (Cosmo Jarvis...
Album: Alicia Keys - Alicia
Alicia Keys is a puzzling mixture. On the one hand she’s the hyper-achieving, multi-platinum, 752-Grammy-winning...
Rocks review - impressively well-crafted neo-realist drama
Rocks is a beautifully made slice of neo-realist filmmaking which deserves to get a wide audience but may well slip off the radar in the...