Jillian Edelstein
Bio
Jillian photographed the Truth and Reconciliation Commission in South Africa for the New York Times and many other stories for The New Yorker, Vogue and Vanity Fair among others. Her portraits were recently exhibited at the National Portrait Gallery.
Articles By Jillian Edelstein
latest in today
Reclaim These Streets fundraiser, 21Soho review – entertaini...
London's weather – a day of huge downpours – underlined the point that we should be rushing inside as entertainment venues (in parts of the UK, at...
Album - Lambchop: Showtunes
Lambchop leader Kurt Wagner has suggested that the title of this album is semi literal: that he wanted to write “something akin” to classic, Great...
Reunion: An Evening with English National Ballet review - ba...
You could hardly call this back to normal at London’s...
La clemenza di Tito, Royal Opera review - light and dark in...
It looked as if the Royal Opera might be trying to...
theartsdesk on Vinyl 64: Chet Baker, Lava La Rue, Bob Mould,...
Things got out of hand at theartsdesk on Vinyl this month and these reviews run to 10,000 words. That's around a fifth of The...
The Underground Railroad, Amazon Prime review - a horrifying...
Many a director might have considered that televising Colson Whitehead’s novel The Underground Railroad was impossible, but Barry Jenkins...
Ferry review - the making of a Dutch gangster
Success for the Belgian-Dutch crime series Undercover has led...
Romeo and Juliet, Creation Theatre online review - game vers...
There is a promising production struggling to get out of this muddled ...
Mark Watson's Carpool Comedy Club, Henley-Marlow review...
Heckling at a drive-in gig is rather pointless, don't you think? The audience, mostly listening through their car radios, will be unable to hear...