joe muggs
Bio
Joe writes regularly for FACT, The Wire and Mixmag, specialising in electronic music and the anything-but-grey areas where genres and media dissolve into one another.
Articles By Joe Muggs
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Witches review - beyond the broomstick, the cat, and the po...
From James I’s campaign to wipe out witchery to the feuding sister sorceresses of The Wizard of Oz and the new film musical ...
EFG London Jazz Festival round-up review - youth, age, and t...
Jazz music crosses, mixes and unites generations, and the 10 concerts I’ve seen at this year’s EFG London Jazz Festival (out of more than 300 in...
First Person: singer-songwriter Sam Amidon on working in Din...
Walking in the morning from my Airbnb along the road in West Kerry...
EFG London Jazz Festival 2024 round-up review - from Korean...
November can be a month to hunker down for the onset of winter and its weather, and where better to do that than in one of the myriad venues...
All's Well That Ends Well, Sam Wanamaker Playhouse revi...
"All’s well that ends well". Sounds like the kind of phrase a guilty parent says to a disappointed child after they’ve been caught...
Rajakesar, Selaocoe, The Hermes Experiment, Wigmore Hall rev...
There were points when this concert felt like the musical equivalent of watching the atom...
Album: Alice Ivy - Do What Makes You Happy
What’s to be said about an album that’s half well-executed body-moving,...
Music Reissues Weekly: Stefan Gnyś - Horizoning
For most of Canada’s listening public, their country-man Stefan Gnyś – pronounced G'neesh – wasn’t a concern. The 300 copies of his 1969 single...
Wicked review - overly busy if beautifully sung cliffhanger
"No one mourns the wicked," we're told during the immediately arresting beginning to Wicked, which concludes two hours 40 minutes later...